The Future of Flourishing: A First Look at the Unified WELL Standard
We believe the environments we inhabit should do more than house our daily activities; they should actively support our well-being. This philosophy is why we closely follow the evolution of the WELL Building Standard, the global benchmark for health-centric design.
Recently, the International WELL Building Institute (IWBI) shared a significant milestone: the next version of the WELL Standard is now open for public comment through May 1. This "One WELL" vision is a thoughtful reimagining of how we create, measure, and sustain spaces that put people first.
A Unified Vision for Health
The most significant shift in this update is the move toward a unified, harmonized standard. Previously, different types of projects, from commercial offices to residential spaces, navigated separate frameworks. The new preview consolidates these into a single cohesive system.
This "One WELL" approach ensures that whether we design a private sanctuary or a community hub, the core principles of human health remain consistent and accessible. It’s a more intuitive way to look at the building blocks of wellness, making it easier for designers and inhabitants to understand how a space supports them.
What is Changing?
While the rigorous, evidence-based strategies that define WELL remain the foundation, the way we interact with them is becoming more streamlined. Key updates in this preview:
Integrated Ratings and Certification: In a shift that honors every effort made toward health, the new structure ensures that "every step forward counts." Points earned toward specific health, safety, or equity ratings now count toward full WELL Certification.
Thematic Groupings: Strategies are now organized into intuitive themes. This allows design teams to pinpoint goals, such as mental health support or restorative lighting, with greater precision.
Clearer, Global Language: The requirements have been rewritten to be clearer and more scannable. This shift away from dense technical jargon makes the standard more adaptable across global markets and easier for homeowners and business owners to implement with confidence.
Rewarding Progress: Preconditions, the mandatory baseline requirements, will now qualify for points across the board. This recognizes the value of these fundamental health features and rewards projects for their commitment to baseline excellence.
Designing for the Whole Person
At its heart, the evolution of the WELL Standard is about making "people-first places" the norm rather than the exception. By refining the concepts we've championed, like air, light, mind, and community, this update makes it simpler to weave wellness into the fabric of a building.
For example, the updated standard continues to prioritize:
Restorative Spaces: Creating opportunities for quiet reflection and connection to nature to mitigate daily stress.
Environmental Quality: Ensuring the invisible elements, the air we breathe and the water we drink, are held to the highest purity standards.
Inclusive Design: Expanding the community concept to ensure spaces are equitable, accessible, and welcoming to all, regardless of physical abilities or backgrounds.
Why Your Voice Matters
The IWBI is seeking feedback from the community of designers, architects, and occupants who live and work in these spaces. The public comment period is an opportunity to ensure the standard remains practical and impactful for real-world application.
By participating in this process, we contribute to a future where our buildings are tools for longevity and joy. As this new version moves from preview to final release, it promises to make the journey toward a healthier home or workplace more efficient and rewarding.
Sarah Barnard, WELL AP + LEED AP, is a leading designer of personalized, sustainable spaces that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has appeared in Architectural Digest, Elle Décor, Vogue, HGTV, and many other publications. In 2017, Sarah was honored as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).
References & Further Reading
For those interested in the rigorous science and evolving frameworks behind the One WELL vision, the following resources provide the foundational data and official guidelines used to develop these health-centric strategies:
Primary Sources
International WELL Building Institute (2026). The WELL Building Standard: Concept Directory. An overview of the eleven core categories of human health in the built environment.
International WELL Building Institute (2026). One WELL: A Unified Vision for the Future of Health. Official announcement regarding the harmonization of WELL programs and the public comment period.
IWBI Public Comment Portal (2026). Standard Preview and Feedback Forum. The active platform for reviewing side-by-side comparisons of v2 and the upcoming enhancements (Open through May 1, 2026).
Foundational Research
Allen, J. G., & Macomber, J. D. (2020). Healthy Buildings: How Indoor Spaces Drive Performance and Productivity. Harvard University Press. A key text often cited by IWBI regarding the economic and cognitive benefits of healthy offices.
World Health Organization (WHO). Guidelines for Indoor Air Quality. The scientific basis for many of the Air and Materials requirements found within the WELL Standard.
Global Wellness Institute. Wellness Architecture & Design Initiative. Research exploring the intersection of the built environment and holistic human health.
Can the Design of Your Home Aid Recovery From Past Trauma? Research Says 'Yes'
As interior designers, we operate from an awareness that because we create the built spaces that our clients inhabit, we exercise tremendous influence on their lived experiences and the ability to make a tangible difference in our clients' mental, physical, and emotional health. (1) While it is easy to accept this as a given in more passive terms, there is an increasing necessity around the active, rather than incidental, cultivation of safe and healing built spaces. At Sarah Barnard Design Studio, we aim to bring an inclusive and trauma-informed approach to home design.
Between 1995 and 1997, Kaiser Permanente conducted a study looking at the health effects resulting from the trauma of Adverse Childhood Experiences (ACEs). (2) The parameters around this study were narrow, focusing primarily on abuse, neglect, and domestic strife, without including factors such as trauma due to racism, deportation, illness, or war. The study's participants were also far from a broadly representative group, with nearly 75% of participants identifying as White. Yet, even within these minimal boundaries, the findings were stark—approximately 66% of the study's participants reported ACEs in their personal histories.
If we consider the types of trauma the study excluded and the adverse experiences that occur in adulthood, the implications of this study are significant. It is fair to assume that traumatic experiences are widespread among adults. Particularly in the context of the Covid-19 pandemic, the mental and emotional fallout of which we are only beginning to understand and measure, addressing the effects of trauma has taken on a new urgency.
Much of the discussion around trauma-informed home design has focused, understandably, on public and institutional contexts often directly connected with health and social services (3). As understanding around the way that physical spaces affect our mental, emotional, and physical health have expanded, so too has demand for spaces designed with health and healing in mind. Where once function and safety were the primary concern in, for example, mental health facilities, home designers are now looking at how to make these spaces soothing and restorative.
Knowing what we know about how widespread the experience of trauma is, it is reasonable to expand our thinking beyond institutional spaces and apply the principles of trauma informed practice to home design, as well as to the way we interact with clients. Our goal is to create spaces that manage the effects of trauma by reducing sudden sensory arousal, while also being actively healing and restorative.
This process begins with creating a safe and inclusive environment for our clients from a project's inception to completion. While it may be safe to assume that most adults carry some form of trauma with them, we don't know what a client's background is unless they feel safe to tell us. We aim to approach our clients with a sense of inclusiveness and sensitivity, allowing ample space to voice their needs. A certain amount of vulnerability and humility lies on us as designers as we hold ourselves accountable for maintaining this safe space for our clients. This accountability allows us to create homes that are not only aesthetically pleasing but also personalized and inclusive to each individual and their needs. As designers, we must keep an open flow of communication between ourselves and our clients, ensuring that communication remains understood on both ends.
Creating an inclusive space starts with mindfulness and care around the way we communicate(4). There is no default listener. Our intention is to allow people from all walks of life feel heard and understood. We are committed to educating ourselves on inclusive language, as certain words may carry racist or ableist subtext. Finding alternatives to non-inclusive language is one component of this, and it helps to avoid language that presumes the ethnicity, gender identity, or experiences of the listener. To maintain our goal of holistic inclusion throughout our studio, we apply these communication values to our client interactions, internal conversations, and interaction with vendors. By holding ourselves accountable even out of sight of clients, we ensure that inclusivity remains a core principle of our studio.
PAINTING BY MICHELLE JANE LEE
When we begin each project, our goal in taking a trauma-informed approach to home design and decorating includes finding ways to reduce sensory overstimulation. Sensory triggers can be hugely disturbing for neurodivergent people (particularly those on the autism spectrum), as well as people with chronic migraines, Post Traumatic Stress Disorder, Alzheimer's, and other chemical or sensory sensitivities (5). Spaces designed with inclusion in mind for neurodivergence and disability will create an environment that feels safe for all users along various spectrums of need. However, even neurotypical people can experience stress from sensory overstimulation, impacting their health and emotional resilience (6). We address this need in home design by creating varied paths to shelter from intrusive sounds, odors, and light. In addition, we empower our clients to limit and customize their exposure to sensory stimuli (7). One way to achieve this is to create smaller sensory retreats within the home, balancing the calming quality of openness with the comforting sense of being enveloped. We use color psychology, textures, and other sensory elements to comfort our clients. Some of this may overlap with general design knowledge of what is considered calming, and some may be specific to each client's taste and sense of comfort.
PAINTING BY KEVIN MOORE
Our goal as a studio is to create spaces where clients can relax and restore their senses. We achieve this in our projects by intersecting the client's sensory needs with their aesthetic tastes. There is much importance in including art in the spaces we design. At Sarah Barnard Design Studio, art is considered an integral part of home design. Great care is taken not only in the selection of art but also in how and where it is displayed. That said, while there are general notions of what makes a piece of art soothing for a viewer, from the color to subject matter. Ultimately, the most crucial factor is what the client wants to see every day. Clients will benefit most from seeing art that evokes a sense of calm or happiness; however, what that can look like varies widely from person to person. As designers, we offer our guidance and expertise in selecting art for the home.
We can achieve restoration through home design by providing access to nature and integrating natural themes into the spaces themselves. The biophilic design movement has focuses on making nature an integral theme in the home. Biophilic design has tremendous benefits for our emotional, mental, and physical health (8). Views of nature, particularly ones that provide a sense of continuity with the indoors and outdoors, can be one way to achieve this. Prioritizing the use of natural and organic materials can also promote restoration and wellness for our clients. A connection to nature can be undermined by toxic materials that are produced in ecologically harmful ways. On a more symbolic level, we can incorporate nature into an indoor space through organic imagery that evokes the natural world through shape, texture, and color.
Recently, our homes have become even more of a center point in our lives. For many of us, our home has become a workplace, school, and place for recreation all at once, increasing the need for therapeutic and restorative spaces within the home. Unfortunately, mental and emotional restoration has become harder to achieve now that our homes serve more functions than ever. As designers, we must be creative in our approach. We can create boundaries in the home without putting up walls, for example, using a screen to designate an area as a workspace, where the day's stressors can remain out of sight when it's time to relax. We can place extra care and attention into places in the home that offer privacy, letting them act as retreats from the rest of the living space. Thinking beyond a room's most basic function in this way can open up opportunities to create calming, restorative environments in less traditional spaces.
As designers, we have a tremendous opportunity to alleviate trauma by creating healing spaces for our clients while implementing a warm, understanding, and inclusive design process. We may never know or see our clients' struggles, but we can approach each project with empathy, compassion, and practical design knowledge to address their needs. As gratifying as having our clients appreciate our work, it is even more gratifying to know that we can make a tangible difference in their health and happiness.
CERAMIC SLUG BY JOSEPH AND MARJORIE LAKE
Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).
Works Cited
(1) https://dcf.vermont.gov/sites/dcf/files/OEO/training/2019/Trauma-Informed.pdf
(2) https://www.cdc.gov/violenceprevention/aces/about.html
(3) https://www.nytimes.com/2021/01/05/business/mental-health-facilities-design.html
(4) https://www.linguisticsociety.org/resource/guidelines-inclusive-language
(5) https://www.hksinc.com/how-we-think/research/sensory-well-being-for-adolescents-with-developmental-disabilities-creating-and-testing-a-sensory-well-being-hub/
(6) http://universaldesign.ie/What-is-Universal-Design/The-7-Principles/
(7) https://www.asid.org/lib24watch/files/pdf/8477
(8) https://www.fastcompany.com/90333072/what-is-biophilic-design-and-can-it-really-make-you-happier-and-healthier
Sarah Barnard Celebrates Over Ten Years of LEED Accreditation
Leadership in Energy and Environmental Design Accredited Professional (LEED AP) designers bring their expertise to every project, creating healthy and environmentally responsible spaces for their clients. LEED certified buildings and homes provide lasting benefits for users, the surrounding community, project stakeholders, and the environment at large.
PHOTOS BY: BRAD NICOL
A sustainably designed, constructed, and maintained LEED-certified building positively affects the health of its employees or residents by improving air quality, reducing exposure to toxins, and ensuring adequate levels of natural light. LEED buildings yield lower operating costs and higher resale values and lease-up rates for property owners. They also consume less water and energy, reduce carbon emissions, and divert waste from landfills.
LEED-certified homes benefit not only their inhabitants but the community and environment. Green homes offer year-round comfort and healthy indoor environments. They, too, use less water and energy, which is a win for homeowners’ wallets but also reduces strain on the community’s resources. LEED-certified homes are known to sell faster and for more money, which can raise property values for the entire neighborhood.
Sarah Barnard is an interior designer, WELL AP, and Legacy LEED AP who recently celebrated the 13th anniversary of earning her LEED credentials. Legacy LEED AP is the title given to early participants in the program who passed the LEED exam before 2009 when the U.S. Green Building Council introduced specialties.
“I care about the future of our environment and work to ensure that my home design projects support wellness for people and the planet,” says Barnard. “The Legacy LEED AP credential demonstrates my long-standing commitment to healthy, sustainable design.”
As a leading expert in her field, Barnard has given lectures at the University of California, Los Angeles (UCLA), California State University, Northridge (CSUN), Fashion Institute of Design and Merchandising (FIDM), and SCALE: The American Society of Interior Designers (ASID) National Student Summit. She has presented at the LA Home and Garden Show, Pacific Design Center, California Preservation Foundation, and Textile Arts LA. Most recently, OM Chats hosted Barnard and fellow design leaders Adaeze Cadet (AIA, LEED AP BD+C, Vice President at HKS) and Julie Smith-Clementi (AIA, ISDA, Product Designer and Architect, Smith-Clementi) to take part in a multi-speaker conversation around the role of empathy in home design.
In 2017, Barnard was recognized as an ASID Ones to Watch scholar in the program’s inaugural class. ASID created the leadership development training program to promote diversity and propel the industry forward. Barnard confers with a national network of her fellow interior design scholars to share research and feedback.
While the LEED rating system focuses on the design, construction, and operation of buildings, the WELL Building Standard emphasizes the health and wellness of the people inside of them. The LEED and WELL programs are complementary and receiving accreditation with both has informed Barnard’s holistic approach to healthy, sustainable home design.
Barnard is an advocate for consciousness, inclusivity, and compassion in the creative process. Through her speaking engagements, pro-bono work, and writing, Barnard hopes to draw attention to these critical design objectives. Barnard is creating a future that includes greener buildings, healthier interiors, and enlightened home design.
Meet the Bedroom that Feels Like a Hug
Award-winning Interior Designer and American Society of Interior Designers (ASID) Ones to Watch Scholar Sarah Barnard has unveiled a happiness-inducing home design project— the bedroom that feels like a hug.
“We need a safe, restorative space to help our bodies rest and recharge,” says Barnard. A hug has many of the same characteristics, it makes us feel secure and comforted, and when we let go of the embrace, there’s a rush of oxytocin that leaves us with a sense of lightness.
Oxytocin is a neurotransmitter that acts on the brain’s emotional center, promoting feelings of contentment, reducing anxiety and stress. When you hug often, your level of oxytocin increases, which strengthens social bonds. Hugging also stimulates dopamine and serotonin production in the body. Dopamine is a pleasure hormone that’s part of the brain’s reward mechanism, while serotonin is responsible for maintaining mood balance.
The jumping-off point for the bedroom was the curvilinear bed frame, an award-winning design by Autoban, carved from American black walnut. Its silhouette mimics the action of hugging, and the interior is lined with purple velvet, blending the natural texture with dark, feminine styling. To further the feeling of intimacy, Barnard chose a non-toxic, king-size organic coconut mattress topped with a reversible duvet in a custom, color-blocking scheme.
The word ‘phantasmagoria’ is scrawled across the wall behind the bed — a neon homage to the images that flicker by in our dreams. The client, a self-proclaimed bookworm, chose the word herself after much deliberation. High-pile black carpeting delivers a softness underfoot, and layered window treatments allow the client to sleep undisturbed in total darkness. “Window coverings serve many purposes,” says Barnard. “Not only do they block out sunlight and create privacy, but they add a decorative element to the room that unifies the composition.”
The two-tone wall color, a marriage of plum and lavender, envelops the space. These hues were intentionally chosen to saturate the formerly bright bedroom, establishing a cozy, cocoon-like atmosphere. “The ceiling color extends to the walls, linking the two colors together in a way that the sharp ceiling line never could,” explains Barnard.
Hanging above the bespoke American Walnut nightstands are a pair of cloud-like pendant lights that emit a soft glow. A wall of concealed storage eliminates visual clutter, which can heighten our anxiety levels and impact sleep quality. Upholstered benches at the foot of the bed and by the entryway provide a comfortable spot to rest or dress in the morning.
It was the client who initially requested the space “feel like a hug,” which Barnard describes as a “brilliant explanation of what good bedroom design should do.” The revamped primary bedroom, a physical embodiment of a hug, provides all the comfort, safety, and well-being her client needs to settle into a restful slumber and wake up feeling warm and fuzzy.
See the rest of this home here Featured in LA Dreams Magazine