Inclusive Design Language : Building a Foundation for Wellbeing

Scrabble game, tile holder with tiles spelling "home" on brown table next to green plant.

The first step in any home design process is learning who you are designing for and their design needs. Particularly when designing for something as intimate as a residential space, effective home design requires a great deal of honesty, vulnerability, and open communication with all parties. When clients are open with us, we can design genuinely supportive spaces. If clients feel embarrassed or guarded, they may not feel comfortable being honest about their lifestyle, limiting the ability of the designed space to serve them.

Open book on black desk with plants, agate inspired wallpaper, and black pillow with embroidered face.

For example, someone who fears judgment may not want to admit to the amount of time they spend curled up watching movies in the evenings, despite being a common way to escape the day and recover. They may perhaps instead overemphasize time spent devoted to their yoga practice. A home designer may then place ample attention on building a dream yoga studio instead of investing in a beautiful, ergonomic, and supportive movie viewing space that would contribute more to daily life. While this is a lighthearted example, there are many instances where this may play out in a more harmful or isolating way. Creating an open dialogue is crucial in preventing any missteps when designing a home.

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One piece of creating open and safe relationships with clients is by using inclusive design language. Inclusive language is defined by the Linguistic Society of America as language that "acknowledges diversity, conveys respect to all people, is sensitive to differences, and promotes equal opportunities." Considering language choice does not only help create a more understanding environment between designer and client, but the entire studio team, vendors, and tradespeople. Using inclusive home design language is a small but crucial step in creating open communication and trust between everyone involved in a project.

Blue vase with heliconia vellerigera

There is a long history of home design, grounded in tradition. Learning the historical context of the language used both within design and frequently in any workplace helps us understand if the language is supportive or can cause hurt or harm. Our design studio encourages continued education and learning for our whole team. At our weekly meetings, we share information we've learned in classes we've taken, articles or books we've read, or even conversations that may have opened our thinking. Recently, we have put effort into considering the language surrounding home design.

Table with small objects and thank you card

Recently there was a push in the real estate and home design community to eliminate the term "master bedroom" due to its loaded history, replacing it with "primary bedroom." This step towards considering the legacy of language so frequently overlooked had us wondering, where does other common design language originate? How can we improve our communication to match our intentions as home designers and create welcoming, inclusive, and adaptive spaces?

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Through conversations and research, here are a few of the terms we have opted to replace as a studio and the alternatives we have adapted:

Powder room: While the term originated to reference a room where one powdered their wig, the phrase later took on gendered connotations around "powdering one's nose." The language has been replaced with "half-bath" for a more approachable and less gendered option. 

Ladies and gentlemen or guys/gals: We have opted for folks, team, or friends for an option that does not assume or exclude gender identities. 

"Man" as in, man the front desk, manmade, manpower:  Our studio is replacing these with human-made, human power, staff the front desk for options that do not assert gender dominance or preference. 

Grandfather: This phrase, commonly used in home design practices to indicate a non-conforming, pre-existing condition that may remain in violation of the building code, originated in the American South in the 1890s to defy the 15th Amendment and prevent Black Americans from voting. We've opted to use legacy or exempted.

Tipping Point: The phrase was first popularized when referencing white families leaving a neighborhood when a certain number of Black people moved in. We have opted for climax, peak, or crossroads.

His and hers closets or bathrooms: While commonly used in housing and real estate, the wording is gendered and assumes a hetero-normative lifestyle. We have switched to dual closets or dual bathrooms to describe the spaces without attaching any presumptions to their use. 

Walk-up building: We are opting for non-elevator building to avoid language associated with ability. 

Allowed: Frequently used conversationally, allowed implies power over another person to grant permission, and is being replaced with invited. 

Discovered:  In the context of "we discovered this artist's work," the word reinforces colonialist language and systems. We are opting for "we have learned of". 

Blind approval: We are instead using unquestioned approval, automatic approval. 

Idioms: Our studio is making an effort to avoid any idioms and instead speak literally. Many of these phrases have loaded historical origins, and because they are often regional, they may also be confusing or unclear, muddling communication.

If you are interested in learning more about inclusive language, here are a few of many available resources: 

A Progressive's Style Guide 

Conscious Style Guide 

Diversity Style Guide 

While language is only a piece of creating a safe and welcoming space, it is an important one to set the stage for accessibility and break a language pattern that carries an outdated and harmful legacy. This process is an ongoing one, and we are continuing to learn and adapt, both in our language use and in our design practice. We encourage you to join us in a collaborative effort to adapt, update, and improve our communication and continue in the ongoing conversation surrounding compassionate home design.

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has been quoted by Architectural Digest, Elle Décor, Vouge, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Cosmopolitcal Design: A New Modality Harnesses the Connection between Home and Nature

With global society and climate in flux, mapping out new ways to live and create in the world has become an essential project. Amid the competing approaches to this transformation, the philosophical school of cosmopolitics, as its name suggests, addresses this challenge in a uniquely holistic way and presents an entirely new perspective on the human relationship with the world.

Albena Yaneva, in her introduction to What is Cosmopolitical Design?: Design, Nature, and the Built Environment, explains that “Cosmopolitical thinkers...see nature as no longer being unified enough to provide a stabilizing pattern for the experience of humans; it is not ‘out there,’ a simple backdrop for human activities.” Cosmopolitics distinguishes itself from cosmopolitanism by positing a relationship with nature and its non-human denizens defined by cohabitation rather than dominance. As Yaneva writes, “These thinkers abandon the modernist idea of nature as being external to the human experience—a nature that can be mastered by engineers and scientists from outside.” 

How does this cosmopolitical perspective manifest in the world of home design? To Yaneva, “It challenges design...to encourage the enactment of new relationships both within and potentially outside the designed space.” Cosmopolitical home design is deeply tied to its locality and integrated with its environment. Yaneva describes cosmopolitical design as “required more than ever to address the primordial question of what it means to live together. That is, the co-existence of humans and non-humans, of how they share space and find ways to live together in peace.”

Because the cosmopolitical way of thinking is so all-encompassing, the approaches to incorporating cosmopolitics into home design are fittingly varied and can be scaled to projects as vast as urban planning or as circumscribed as landscaping a backyard. Manifestations of cosmopolitical home design can range from home renovation with the local climate in mind (for example, placing windows for optimal warmth or cooling of interior spaces) to pollinator-friendly gardens teeming with plants indigenous to their region.

To interior designer Sarah Barnard, WELL AP + LEED AP, bringing cosmopolitics into her home design practice means cultivating spaces that are specific both to her clients and as well as to the local environment and that encourage an accord with the natural world. Sarah says, “Finding ways to harmonize the design of a space to a specific environment instead of working against it is both challenging and rewarding. When a designed space and its greater environment are fully integrated, the effect is almost easier to feel than observe.”

Sarah explains, “I always look for opportunities to create inviting connections between the indoors and the outdoors. This continuity with the natural world is beneficial for emotional and mental health—it’s not just a source of beauty but nourishment.” For an artist’s bungalow, Sarah created a visual continuity between lush indoor plant life and the garden outside, and then took it a step further. Sarah designed the outdoor garden to support pollinators, birds, and other wildlife. The garden is a Certified Monarch Waystation, providing resources to support migrating Monarch butterflies by providing food, water, cover. Sarah said, “Designing homes for wellbeing doesn’t have to stop at the comfort of the client. Incorporating elements of design that nurture the local ecology deepen our relationship with nature and result in spaces that are unified with their surroundings.”

This particular expression of cosmopolitical home design can be achieved even with limited outdoor space. For an oceanview penthouse, Sarah transformed a balcony into an inviting habitat for local and migrating wildlife by adding potted olive trees and an herb garden. “Considering plants not just for their decorative beauty but also what they can offer to the local environment is a concept that works on virtually any scale,” Sarah says. To decorate the interiors, Sarah selected natural and eco-friendly furnishings and textiles, adding that “Organic materials have a gentler environmental impact, and from a wellness perspective, are kinder to the people who live with them.”

When selecting materials and furnishings for home decorating, Sarah often looks to her clients’ priorities to guide her approach to creating spaces that embody a cosmopolitical perspective. For one high-rise suite, the owner’s love of animals was demonstrated not only through the choice of art and decorative objects, but also wanted this care toward animals extended outside home design and beyond aesthetics. Sarah addressed this by using exclusively vegan materials and furnishings for this project. Sarah explains, “No space exists in a vacuum—every object and material we use has a footprint that goes well beyond the front door, so considering the story of the materials we use and the impact that they have on the world is a way to invite cosmopolitical ideas into home design.”

Sustainable materials can also have unexpected origins. For the kitchen of a historic craftsman bungalow, Sarah installed a countertop made of recycled beer bottles, a non-extractive alternative to a more traditional quarried stone countertop. “Not only is the material beautiful and environmentally conscious, but there’s also a little whimsy in how it reinvents something ordinary and adds character to the space,” Sarah says. The implications behind cosmopolitical home design may be weighty, but there is always room for playfulness.

“When I look at my work from a cosmopolitical perspective,” says Sarah, “I see tremendous opportunity for creativity. We are seeing our way of life change in real-time, and as a home designer, I’m lucky to be able to be a part of facilitating that transformation for my clients.”

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Curating a Mindful Experience: Focusing on Art at Home

Interior design by Sarah Barnard, Artwork by Renae Barnard.

Interior design by Sarah Barnard, Artwork by Renae Barnard.

Selecting and arranging artwork in a home can be a gratifying process for all involved. While science is only beginning to explore the emotional effects and benefits of art, people have been driven to produce and seek artwork throughout human existence. In a study at the University College London, researchers found that looking at beautiful artwork activates pleasure centers in their brain and elicits a neurological response similar to falling in love. 

Sarah Barnard helped this client curate and collect an extensive collection of feminist artworks.

Sarah Barnard helped this client curate and collect an extensive collection of feminist artworks.

It only makes sense that we should turn to artwork to influence emotional experiences in home design. As an interior designer with a fine art background, I recognize art's incredible power to enhance wellbeing in design. Commissioning artworks or objects by local artisans can be an incredibly rewarding way to elevate a client's home, and invest in the local creative community. 

A diverse collection of local and international artists.

A diverse collection of local and international artists.

When selecting artwork for a family or group, it's key to ensure that everyone has a voice. Inviting individuals to have control over their domains and some level of veto power in shared spaces can aid in decision making in the home design process. Having a say over designated personal spaces guarantees that everyone is getting something they love, at least in one part of the home.  In common areas, everyone should have a choice, and this is where having a designer with additional resources helps. I have developed relationships with many unique and talented artists throughout my career, which has helped me find and commission beautiful and obscure pieces.

Interior design by Sarah Barnard, Artwork by Susan Hannon.

Interior design by Sarah Barnard, Artwork by Susan Hannon.

When approaching all home design elements, it's essential to consider a room's use and intentions before purchasing or commissioning artwork. For family rooms that are often bustling, high traffic spaces, bold, energetic works of art can invigorate a room and inspire conversation. Large scale works can provide a welcome alternative to a television, and offer a focal point in spaces with many moving parts and multiple functions. Shared areas of congregation are ideal for bold abstract pieces or narrative works that inspire investigation and conversation.

Interior design by Sarah Barnard, Artwork by Kevin Moore.

Interior design by Sarah Barnard, Artwork by Kevin Moore.

In a recent home remodel for a family residenceScalar Field by Kevin Moore hangs above a breakfast nook composed of a custom dining sofa and handmade walnut dining table. The warm colors and textures of the pieces play off each other, for an inviting eating space that encourages both quiet daydreaming and lively discussion. The piece's unique, geometric shape adds architectural interest to the corner, expanding the room and adding to the area's significance in the home. The nook encourages a mindful dining experience, inviting the owner and guests to pause and enjoy the beauty and serotonin-boosting effects of an in-house art display. 

Interior design by Sarah Barnard, Artwork by Reid Winfrey.

Interior design by Sarah Barnard, Artwork by Reid Winfrey.

A small, sleek bar becomes increasingly expansive with a dreamy painting of a surfer by artist Reid Winfrey in a beachy bachelor pad. In areas without windows, artworks with natural themes or escapist qualities are often beautiful alternatives to a view. This piece reflects the homeowner's interests and passions, connecting them to natural locations and activities they love, and offering insight into their personality to guests. Creating intentionality in small areas of the house can significantly affect overall mood and pacing, offering small, meditative opportunities. Art can be a useful tool to train the mind to slow down and be appreciative of surroundings and experiences. 

Interior design by Sarah Barnard, Artwork by Renae Barnard.

Interior design by Sarah Barnard, Artwork by Renae Barnard.

Collecting artwork invites a level of personal connection and customization that can create a deep emotional experience of the home. A large wall sculpture by Renae Barnard entitled Aggregate Liberty compliments custom furniture in a residential redesign. Colors and textures in the artwork and the living room mimic each other, softening the boundaries of the artwork and the residence for an immersive and transcendent experience. Quiet rooms for focus may benefit from works that feel calm and soothing. Natural colors and themes help decompress, and textile pieces, in particular, can bring an added layer of comfort and calm. 

Interior design by Sarah Barnard, Artwork by Renae Barnard + Ruben Vincent.

Interior design by Sarah Barnard, Artwork by Renae Barnard + Ruben Vincent.

For a home office redesign, our studio commissioned a sculptural piece by artist Renae Barnard for artwork that referenced the home's natural surroundings. As an alternative to the already prominent ocean view, our studio saught to connect to nearby natural elements that required more careful observation. Ultimately, the studio found inspiration in the finches visiting the olive trees on the homeowner's patio. Noticing them requires careful consideration of the surroundings, inviting the homeowner and guests to become increasingly mindful. The finches' flight to the skyrise penthouse in the clouds inspired the final form of the fiber sculpture Cumulous. 

Interior design by Sarah Barnard, Artwork by Karrie Ross.

Interior design by Sarah Barnard, Artwork by Karrie Ross.

Fanciful imagery in muted earth tones creates an airy and uplifting mood for rest. Displaying artwork near a bed may contribute to peaceful habits before sleep, and provides mind-quieting observational opportunities. A watercolor and mixed media piece by artist Karrie Ross is an atmospheric addition to a residential bedroom redesign. The piece's overall effect is peaceful, guiding the viewer away from chaotic thoughts or visuals before bedtime. The details within the artwork hold the viewer's attention and offer avenues for thoughtful examination, pulling focus away from the stresses and memories of the day. Using the emotional experience of a work of art to guide a room's mood can provide ample opportunities to shape home design support and uplift its residents. 

Interior design by Sarah Barnard, Artwork by Brian Johnson.

Interior design by Sarah Barnard, Artwork by Brian Johnson.

Commissioning or curating artwork is ultimately about inviting positive emotions and experiences into the home. A piece does not need to mirror a pre-existing aesthetic to be the perfect fit for a client's home if it inspires pleasure and supports wellbeing. Incorporating artwork into living spaces can be an enriching process, inviting time to reflect, think, and appreciate the beauty of daily life.  

Interior design by Sarah Barnard.

Interior design by Sarah Barnard.

Sarah Barnard, WELL AP and LEED AP, designs healthy, happy, personalized spaces that connect deeply to nature and art. Barnard has been featured in publications internationally and was named a "Ones to Watch Scholar" by the American Society of Interior Designers. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

This image used with permission provided by  Gregory Firlotte @ LA Design Magazine

This image used with permission provided by Gregory Firlotte @ LA Design Magazine

This article was written by Sarah Barnard for Issue 2 of LA Design Magazine, Celebrating Design and the Arts. Published by the American Society of Interior Designers, Los Angeles, CA.

The Inclusive Kitchen: Universal Home Design Improves Quality of Life

Interior Design by Sarah Barnard. Photos by Steven Dewall. Originally published in LADESIGN Quarterly, by the Los Angeles chapter of the American Society of Interior Designers.

Interior Design by Sarah Barnard. Photos by Steven Dewall. Originally published in LADESIGN Quarterly, by the Los Angeles chapter of the American Society of Interior Designers.

Universal home design is intended to improve the quality of life for all users, regardless of age or ability. When applied to the kitchen, these principles should ensure safety, efficiency, and comfort. The term was first coined in the 1970s by architect and disability rights advocate Ronald Mace. Since then, universal home design practices have been rising steadily due to its inclusion in formal design education and support from professional associations like ASID, who provide research and case studies for universal design and aging in place.

In my practice, as a WELL and LEED accredited designer specializing in healthy, sustainable interiors, I often find that planning for the future can be intimidating for clients, but doing so ensures they will be happy spending a lifetime in their homes. 

I recently completed a home remodel for a retiree, who wanted the kitchen to function well when cooking for one. However, she often hosts friends and family, so it also had to be designed with entertaining in mind.

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Knowing the kitchen would be widely used, we considered universal home design principles to increase its functionality. The aesthetic was inspired by the cool, collected nature of the home's coastal locale and the utility and simplicity of Scandinavian design.

I specified a U-shape layout to provide unobstructed traffic flow and ample counter space. The kitchen is open to the dining area, and there are no barriers, such as steps or a doorway, to separate them. It's a confined space, which reduces the amount of back and forth travel. 

I find that most clients are unwilling to plan for a mobility challenge they may never have. While we can't always get them to agree to a design that accommodates a wheelchair, clients are often comfortable with a clearance of 54 inches for mobility aids such as a walker or cane. If designing for wheelchair mobility, knee to toe clearance allows for easy access.

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I used both upper and lower cabinets to give the homeowner plenty of storage. Keeping countertops clear, in turn, mitigates safety risks. The slide-out drawers are gentler on the back — she doesn't have to bend over or reach up high to access what she needs.

A large window provides views of the outdoors and welcomes natural light. Connecting with nature, even through a window, positively impacts our wellbeing by reducing blood pressure, slowing down our heart rate, and alleviating stress. Natural light, combined with the recessed lighting and oversized pendants, relieves eye strain and helps the homeowner safely perform tasks like chopping or peeling. 

For the hardware, I chose large, integrated pulls instead of knobs because they're easier for stiff or shaky fingers to grasp. According to the Centers for Disease Control, 54.4 million Americans are affected by arthritis, the majority of whom are 65 and older. While a knob requires the user to bend their fingers to latch onto it, a cabinet with a pull can be opened with limited dexterity using only one or two fingers. 

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The homeowner preferred a single-lever faucet; however, if increased accessibility is the primary concern, touch-less faucets can be an excellent alternative. Clients may be hesitant to select this high-tech feature if their experience has been limited to unreliable public restrooms. Fortunately, more and more stylish options for residential spaces are becoming available. 

If the homeowner were to change her mind, the electrical components could be concealed in a base cabinet or behind an access panel. It's essential to consider your surroundings when installing a touch-less model as some products will not operate correctly if they are in proximity to other metals, like a copper sink or stainless-steel backsplash.

The French door refrigerator can be opened without much exertion thanks to its oversized pulls, and the efficient design means everyday ingredients are displayed for easy access. It has a well-lit interior to aid those with vision loss.

The kitchen countertop is white engineered quartz with subtle gray veining. This human-made material is durable and stain-resistant, requiring less maintenance on behalf of the homeowner. People with impaired vision will be better able to identify the kitchen tools and ingredients in front of them, as the brilliant white creates high contrast. I sourced a cream-colored matte glass tile backsplash to prevent surface glare.

Natural French oak flooring was used throughout the open-concept space, eliminating any unsafe transitions. The material has a matte finish and was designed to be slip-resistant — an absolute must in the kitchen where spills are common. It also feels comfortable underfoot and has more spring to it than other flooring types, which is easier on the joints.

Open shelving on the back of the peninsula adds a pop of color to the space. This bookshelf created an opportunity to display some of her most treasured collectibles, which spark joy each and every time she sees them.

The antique rosewood dining table, sourced from Thailand by the homeowner, is located within close reach of the kitchen, so heavy platters of food needn't be carried far. The open floor plan makes it easy to converse with guests who are seated at the table while she's whipping up hors d' oeuvres in the kitchen. The built-in server provides an additional surface to set down dishes and clears up the dining table to prevent any accidents.

Universal home design can and should be both stylish and seamless. Reexamine the products, materials, and finishes you already use, and consider how they might be implemented in a way that supports people of all abilities. With this project, the homeowner was conscious of her potential future needs and entrusted us with creating a healthy, natural, and minimalist space that would suit her well in the long-term.

Sarah Barnard, WELL AP, and LEED AP designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Historic Craftsman Bungalow: Dining Room

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A historic 1918 Craftsman Bungalow features a beautifully remodeled dining room with contemporary updates by Sarah Barnard Design. By utilizing and restoring pieces original to the property, Sarah preserves the home's traditional aesthetic while introducing modern elements to create something personalized and unique. The fresh blue wall color modernizes the otherwise traditional dining room complementing the deep redwoods of the vintage furniture. 

An original built-in cabinet, a collection of art objects, a vintage dining table, and a contemporary chandelier sing together in harmony. A ceramic bust by artist Deborah Cansler rests atop an original antique cabinet with plenty of display space for the homeowner's eclectic treasures. An arrangement of wild blue thistles in a ceramic vessel made by artist Nashua Alfaro creates the perfect centerpiece.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Chas Metivier

Sustainable Design - An Undeniable Choice

 Sustainable interior design has been applied in numerous ways to our lives and is considered to be a reply to our day and age: the age of Information and Ecology. Our need for a sustainable environment is much more of an obligation than a desire, in professional interior design practice. ‘Form follows environment’ - a term addressed by Richard Hyde - is a simplification of this concept. Understood as a relationship between individuals and their current natural environment, its degree of impact depends on the selections of materials, furnishing, and lighting.

    Green interior design practice requires addressing several primary issues. First, to decide which are the most reliable and useful sources of knowledge base taking into account the amassment of information available. Second, to engage the clients and users by providing an accurate understanding of the benefits which, in turn, make for more confident in the decision-making process. Third, to find a way to assist and encourage the manufacturers and builders to apply and deliver environmental architecture.  As an interior designer, sustainability in design primarily focuses on the specifications of furnishing, fixtures, equipment, and lighting.

    One of the criteria for specifying sustainable materials is the aspects of function. A carpet installed in a commercial building must be more durable than the one used in a residential space due to its high traffic. Considering all of the possible contexts and maximizing the potential and longevity of home design materials is of great importance. Additionally, the methods of material production should come into consideration. The energy used in this process is called embodied energy. Each different material has an unusual amount of embodied energy. The manufacturing of natural materials such as wood and stone requires less energy than plastic, concrete or steel. The gas emission throughout the use of the material and its future recycling potential should be considered not only for the sake of the environment but also to ensure a high level of indoor air quality for occupants. Typical examples of sustainable materials are cork, straw, wool or bamboo. Rapidly renewable materials are known to be less energy-intensive to produce. For instance, bark from the cork oak tree can be harvested every nine years. Ultimately reducing the use and depletion of finite raw materials and long-cycle renewable material. Cork is also being used in acoustic and thermal insulation for its sound-proofing quality and is a flexible building material that is less affected by impact and friction.

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Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

A ocean view penthouse with a bird's eye view of the coastline dressed with eco-friendly furnishings, natural textiles, and organic rugs provide a perfect Zen retreat.

  Sustainability also can be demonstrated through lighting choices. The use of lighting plays a significant part in the total consumption of electric energy. This choice requires not only clients but also interior designers to consider the possibilities of other alternatives to maximize the light coming into the building without increasing the energy consumption. Providing more light can be achieved either by taking advantage of the natural light source through bringing light into a building interior and distributing it in a way that provides better illumination and considering pleasing, light-friendly interior objects and surfaces as well as flexible light controls; or using products that assure more energy saving than traditional ones.

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Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

Taking advantage of a natural light source by bringing light into a building interior and distributing it in a way that provides better illumination.

Modern technology allows the installation of the light piping system or laser cut panels to carry daylight to the deep interior space of a building, even to the basements. Such advanced techniques like the piping system can provide 25 - 50% (Kadir, A., Ismail, L.H. & Kasim, N) of the workplace illuminance in commercial or office building and overall reduce energy consumption. These light tubes act as a light transport guiding the light into the room, increasing the efficiency without producing extreme warmth. This phenomenon occurs because the design of the tube integrates highly reflective internal surfaces, like aluminum sheeting with a reflectance of about 95 - 99% (Kadir, A., Ismail, L.H. & Kasim, N).

    Last but equally important, the furnishing choices have a significant impact on the environment and occupant’s health. Manufacturers can control the emission of volatile organic compounds by limiting the use of solvents in paints, stains, and glues. However, it is also the designers’ role to help their clients be more environmentally conscious with the furniture they choose. Purchasing the FSC certified or reclaimed wood helps to prevent the deforestation of tropical rainforests. Another example is in the choices of mattresses. The concern about what is in a mattress is essential. Not only because you spend a third of your life in bed but also because any product made with synthetic materials carries potential health risks. Because such items like mattresses, furniture cushions, pillows, carpet pad, and clothing, all contain a certain level, if not mainly, of petroleum-based foam, which is known to affect the nervous and immune system and cause illnesses. Therefore, lessening the dependence on petroleum is a commendable attempt. Manufacturers are experimenting with vegetable oils like soybean and latex foam producers are replacing some or all of the synthetic content for natural latex. The easiest way to be a responsible shopper is to choose a mattress that can function for an extended period.

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Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

A primary bedroom outfitted with eco-friendly finishes in leather, rattan, maple, and wool.

Overall, the main objective of choosing and using sustainable products, either under the role of customer or interior designer, is not only to improve the quality of life of the occupants but also to maximize positive impacts on environmental, economic and social systems over the life cycle of a building. These all start from the awareness of the surrounding environment and the availability of eco-friendly choices.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.