Canyon Calm: Design Strategies for an Unpredictable Climate
Resilience as Coastal Stewardship
The mid-afternoon sun in Topanga Canyon often creates a sensory intensity where the air feels static and the landscape particularly fragile. During Climate Week in Los Angeles, this environmental reality serves as a catalyst for estate owners to move beyond passive design trends toward a more active and intentional form of stewardship. In high-fire-severity zones, protecting a coastal property requires navigating the complex intersection of high-end aesthetic integrity and technical necessity. It is a fundamental shift in perspective that views the home not merely as a site of leisure, but as a responsive biological ally. Navigating these requirements demands an authoritative oversight grounded in specialized credentials to ensure a residence remains a restorative retreat.
Thermal Batteries and the Diurnal Cycle
In luxury residential environments, significant functional value is found in materials that offer more than a prestigious pedigree. Dense stones, such as honed basalt and limestone, possess the thermal mass required to manage the demanding diurnal heat cycle. High-mass stone may act as a silent thermal battery by wicking away the peak intensity of a mid-day sun, potentially supporting a sense of internal calm and preventing heat-related physiological stress. When a room manages its temperature effectively, it aims to provide the stable internal environment needed to facilitate high-level cognitive performance and physical recovery. The stone holds the cool long after the sun has shifted.
The Technical Defense of the Building Envelope
Strategic resilience begins with the technical precision of the building envelope. Utilizing layered protective materials, such as dual-paned tempered glass and non-combustible finishes, aims to defend the structural integrity of a property against environmental shifts. A critical component of this defensive strategy is the ember audit, which addresses the high-stakes reality that undetected gaps in vents or eaves may serve as entry points for wind-blown fire. This specialized approach to home hardening aims to mitigate vulnerabilities before they are tested by a local weather event. The house stands as a quiet, fortified retreat against the elements.
Sarah Barnard, LEED + WELL A.P., said, "By selecting enduring materials that buffer and protect, a home may better accommodate the physiological needs of its inhabitants while providing a meaningful layer of protection against environmental shifts."
Naturalism as a Strategic Shield
A property’s security extends beyond its walls to the immediate landscape. A symbiotic relationship with the local environment informs the selection of responsible landscaping that works in harmony with the unique constraints of the California coast. Rather than relying on thirsty, high-maintenance flora, a native-focused design may provide natural shading and moisture retention. This naturalist approach serves as a functional tool for environmental preparedness, potentially reducing a property’s reliance on mechanical climate control while aiming to preserve the restorative nature of the estate. It is an act of foresight that honors both the inhabitant and the local ecosystem.
The Enduring Sanctuary
A resilient home is intended to be a responsive ally engineered to support a sense of well-being even during periods of environmental fluctuation. These technical choices represent proactive, intelligent investments in a well-lived life where safety and restoration are woven into the home itself. A temperature-stable, hardened environment aims to provide the quiet and stability that may help support the deep stages of sleep and long-term vitality. By prioritizing enduring materials and ecological intelligence, an estate can remain a supportive sanctuary that stands the test of time.
Sarah Barnard, LEED + WELL A.P., is a leading designer of personalized, sustainable spaces that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has appeared in Architectural Digest, Elle Décor, Vogue, HGTV, and many other publications. In 2017 Sarah was honored as a "Ones to Watch" Scholar by the American Society of Interior Designers (ASID).
Works Cited
Association of Collegiate Schools of Architecture (ACSA). (2026). Thermal Mass and Natural Ventilation: Performance Divergence in Hot Climates. acsa-arch.org/
Insurance Institute for Business & Home Safety (IBHS). (2025). Construction Costs for Wildfire-Resistant Homes: Los Angeles Regional Analysis. ibhs.org/wildfireready/
International WELL Building Institute (IWBI). (2023). WELL v2 Standard: Thermal Comfort and Physiological Recovery. v2.wellcertified.com/en/v2/thermal-comfort
National Center for Biotechnology Information (NCBI). (2024). Surviving Indoor Heat Stress: Impact of Overheating on Residential Thermal Comfort and Health. ncbi.nlm.nih.gov/pmc/
United States Green Building Council - Los Angeles (USGBC-LA). (2022). Wildfire Defense Landscaper Certificate Program. usgbc-la.org/programs/wildfire-defense-landscaper/
The Verdant Center: Cultivating Restorative Balance
The concept of the home has evolved into something far more profound than a collection of curated objects. It has become a site of resonance, a space where the physical environment and the internal emotional state seek a point of equilibrium. At the center of this dialogue is the Sanskrit principle of Anahata, the heart chakra. Translating literally as unstruck, Anahata represents a state of pure resonance, a frequency that remains undisturbed by external friction. As the fourth energy center, it serves as the essential bridge between the grounding, physical needs of the lower body and the higher intellectual and spiritual aspirations of the upper mind (World Journal of Pharmaceutical and Medical Research). In the context of interior design, creating an Anahata atmosphere means cultivating a sanctuary of balance, where the visual and tactile elements support a sense of emotional wholeness and psychological safety.
The primary hue associated with this energy center is green, a choice that mirrors the visible light spectrum. Positioned at the exact center of the spectrum, green provides a natural point of equilibrium, offering the human eye a state of visual rest that neither requires the energy of warmer tones nor the recession of cooler ones (Sugarman). By anchoring a room in the green heart, design may help support a profound sense of steadiness, making the environment an active participant in the restoration of the inhabitant. When a space is tuned to this specific frequency, it encourages a deeper connection to the self and the natural world, fostering a restorative experience that reaches beyond simple aesthetics.
Sarah Barnard, LEED + WELL A.P., said, "Designing from a place of equilibrium allows for the home to act as a restorative anchor, where every material and color choice serves the long-term emotional well-being of the inhabitants."
The Science of the Middle Ground
The preference for verdant environments is not merely an aesthetic inclination but is rooted in the biological reality of the human nervous system. The biophilia hypothesis suggests that people possess an innate tendency to seek connections with nature, a trait developed through evolutionary history where green environments signified survival and abundance (Wilson). Modern neurobiological research has begun to quantify this connection, demonstrating that exposure to nature-inspired design may significantly reduce concentrations of oxy-Hb in the prefrontal cortex (Yin, et al.). This reduction reflects relief from the cognitive and emotional overload typical of contemporary life, allowing for enhanced neural stabilization and mental clarity. By decreasing the metabolic load on the brain's executive centers, green-centered spaces provide the cognitive quiet necessary for reflection and emotional regulation.
Environmental psychology further supports this through Stress Recovery Theory, which suggests that natural environments facilitate the recovery of psychological resources (Ulrich). Studies examining restorative outcomes have found that biophilic design elements, such as unobstructed nature views and the presence of indoor greenery, are associated with significant positive impacts on mental clarity and physical relaxation (Zhong, et al.). These elements function as micro-restorative breaks, allowing the mind to disengage from task-oriented focus and enter a state of effortless attention. Even when a direct view of the outdoors is not accessible, the strategic use of green décor and art has been shown to produce measurable restorative benefits. Specifically, green-themed interiors have been linked to a positive influence on the ability of inhabitants to clear the mind of stressful thoughts, fostering higher levels of restoration than other color themes (Astell-Burt, et al.). The psychological impact is immediate, as the nervous system recognizes the spectral cues of safety and vitality inherent in the color green.
The Legacy of the Pigment
The history of green in the interior is a story of pursuit and permanence. While the color is abundant in the natural world, it was historically one of the most difficult hues for artists and pigment makers to stabilize. In antiquity, vibrant greens were often derived from malachite, a semi-precious gemstone that provided a rich, royal depth but was notoriously difficult to layer (National Gallery London). During the Renaissance, artists relied on verdigris, a copper-based pigment known for its transparent, jewel-like brilliance. Verdigris was often reactive and unpredictable, having a tendency to darken to an olive-brown over centuries, turning once-vibrant landscapes into moody, earthen studies. This ephemerality created a longing for a green that could capture the eternal vitality of the forest without succumbing to the decay of time.
The cultural evolution of the color has seen it move from a symbol of rebirth and immortality in ancient Egypt to a modern emblem of environmental stewardship and longevity (Fang). One significant milestone in this history was the development of Hooker’s Green, created by botanical illustrator William Hooker. By mixing Prussian blue with gamboge, a yellow resin from Asian evergreen trees, Hooker achieved a lightfast, cool green that could accurately capture the waxy needles of a pine or the soft silver of sage (Fang). This transition from the fugitive, fleeting greens of the past to the permanent tones used today has allowed designers to anchor rooms in colors that endure. This sense of permanence is vital for creating a home that feels like a lasting legacy, where the environment remains an enduring foundation for a family’s growth. The color green thus represents a bridge across time, connecting ancient spiritual associations with the modern requirement for sustainable, long-lasting beauty.
Tactile Vitality and Botanical Materiality
A restorative interior must move beyond the purely visual, engaging the senses through a philosophy of haptic design. Luxury, in this context, is defined by how a room feels under the hand and how the materials support the emotional state of the occupant. This shift toward sensory-first environments acknowledges that luxury and well-being are experienced through all five senses. Texture becomes a defining design language, moving away from sterile surfaces toward matte and honed finishes, textured stone, and hand-woven textiles. Natural fibers play a critical role in this sensory engagement, offering a tactile richness that synthetic materials cannot replicate. These organic surfaces invite touch, grounding the inhabitant in the present moment and reinforcing the home’s role as a protective sanctuary.
Utilizing high-end materials like 100% Belgian linen provides a connection to the raw beauty of nature. This mid-weight fabric is highly versatile, offering a lovely handle that drapes beautifully for upholstery or drapery. Textiles in deep botanical tones, such as the mossy, grey-green of rosemary or the dusty, bluish-green of thyme, add a layer of organic texture to the space. These colors, drawn from the medicinal and culinary herbs of the Mediterranean, evoke a sense of heritage and nourishment. When paired with interior jewelry in the form of malachite slabs or semi-precious stone accents, the room gains a symbolic depth. Malachite, historically known as a stone of transformation, brings a vibrant energy that encourages emotional renewal and prosperity. The interplay between the soft, yielding texture of linen and the cool, unyielding weight of stone creates a multisensory dialogue that reflects the complexity of the natural world.
Designing with Compassion and Intention
Designing for the green heart requires a commitment to inclusive design strategies that prioritize the specific, nuanced needs of every inhabitant. For neurodivergent individuals or those with sensory sensitivities, the home must function as a sensory retreat. This involves creating varied paths of movement and balancing open, light-filled spaces with smaller, comforting nooks that feel like a protective envelope. These inclusive spaces are designed not for a generic user but for the specific biological needs of a human being, fostering a sense of psychological safety. The goal is to reduce sudden sensory arousal while providing an environment that is actively healing and restorative, allowing the inhabitant to navigate their world with autonomy and grace.
The integration of restorative infrastructure allows the home to mimic natural systems, supporting the body's internal rhythms. Circadian rhythm lighting, which shifts in temperature to mirror the natural progression of the sun, is essential for regulating sleep cycles and mood. Similarly, the implementation of quiet tech ensures that the home remains a mindful sanctuary. By hiding technology within the architecture, through invisible audio systems or seamless automation, the heartbeat of the home is maintained without disrupting the aesthetic harmony or creating sensory clutter. This approach allows the architecture to shine while technology operates effortlessly in the background to enhance the restorative experience. Every technical integration is chosen for its ability to simplify life, reducing the friction between the inhabitant and their environment.
The Reunion of Nature and Interior Space
The reunion of the natural world with the human-made interior marks a shift toward a more compassionate, human-centric maturity in design. When a home is designed from the heart, it becomes a narrative of renewal, where every material choice and layout decision supports the well-being of the inhabitants. The Anahata atmosphere is an invitation to let nature inside, not merely as a decorative accent, but as a biological necessity. This reunion acknowledges that our place-based relationships with the land do not end at the threshold of the home. Instead, the interior serves as an extension of the garden, a space where the biological needs of the human body are met with the same care as the mind’s aesthetic desires.
In the quiet resonance of a green room, the mind finds space to settle, and the body finds the support it needs to thrive. By aligning ancient principles of harmony with modern, evidence-based wellness standards, designers create environments that do more than just look beautiful; they nurture both body and soul. The verdant center ensures that the home remains a protective, restorative sanctuary, where every inhabitant is allowed to be truly whole. The legacy of the green heart is one of steadiness and growth, offering a timeless foundation for a life lived in balance.
Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. A certified California Naturalist, Sarah believes in celebrating nature through responsible design that works symbiotically with the local environment.
Works Cited
Astell-Burt, Thomas, and Xiaoqi Feng. "Visible Green Nature and Restoration Outcomes." National Center for Biotechnology Information (NCBI). pmc.ncbi.nlm.nih.gov/articles/PMC12340148/
Fang, Karen. "Hooker’s Green: The History of Immortality." The Engines of Our Ingenuity, University of Houston. engines.egr.uh.edu/episode/3241
National Gallery London. "A History of the Colour Green in Art." National Gallery. www.nationalgallery.org.uk/podcast/colour-stories-green
Sugarman, Anna. "Heart Chakra: Love, Compassion and Generosity." Yoga Jala. yogajala.com/heart-chakra/
Taylor & Francis Online. "Systematic Review of Biophilic Design in Workplaces." Journal of Architectural Engineering. tandfonline.com/doi/full/10.1080/17508975.2024.2306273
Ulrich, Roger S. "Stress Recovery Theory and the Natural Environment." Journal of Environmental Psychology. pmc.ncbi.nlm.nih.gov/articles/PMC11878902/
Wilson, Edward O. Biophilia. Harvard University Press, 1984.
World Journal of Pharmaceutical and Medical Research. "Literature on Anahata Chakra." Vol. 5, Issue 2, 2019. www.wjpmr.com/download/article/43012019/1548850018.pdf
Yin, J., et al. "Biophilic Spatial Design and Neuropsychological Restoration." MDPI: International Journal of Environmental Research and Public Health. www.mdpi.com/1660-4601/22/10/1571
Zhong, S., et al. "Biophilic Design Elements and Physiological Stress." Frontiers in Virtual Reality. frontiersin.org/journals/virtual-reality/articles/10.3389/frvir.2025.1411425/full
Beyond Order: Restorative Storage in Modern Design
A common philosophy of storage and organization starts with a period of purging, usually involving a rigid keep, donate, or trash approach. However, this process does not always acknowledge the emotional value of our possessions or fully consider how someone wants to live and feel in their home from a psychological standpoint.
“A common approach to organization often prioritizes elimination, yet it frequently fails to acknowledge the profound emotional resonance of the objects we choose to surround ourselves with,” says Sarah Barnard, WELL and LEED accredited interior designer. “Restorative design is not about what we can discard, but about how we can curate an environment that supports our emotional well-being and reflects our true intentions for how we wish to inhabit a space.”
Many homeowners need a more nuanced strategy that allows for emotion, uncertainty, and changing capacities. The traditional sorting pile is a helpful visual tool, but the criteria for what remains should be personal and reflect one's own history. It is essential to recognize how objects hold meaning, serving as cherished mementos, touchstones, or evolving pieces of a larger collection. If the home is a safe space for free expression, much-loved items play a vital role in self-expression and daily joy.
The Psychology of Curation
Organizing still benefits from a structured process, but the mindset should be rooted in the positive. “Sorting should be approached as an act of self-care rather than a chore of elimination,” Barnard notes. “Instead of asking what we can live without, we should ask how we want our home to support our mood and the daily rituals that bring us comfort.”
By using a feelings-first guide, homeowners can look beyond strict utility. While function is a common starting point, the emotional goal of a room is just as significant. An object might be functional and valued for its usability, or valued simply because it is beautiful. In high-end design, beauty is often a primary function, contributing to calm and visual delight. For many, collecting and curating is the source of joy itself. In these cases, the process is about honoring the collection rather than reducing it.
Managing Sentimental Thresholds
Sentimental items often need a different timeline. A memory box preserves items linked to a person, place, or thing without requiring an immediate decision on their permanent place. This gives time to assess the sentimental reasons for keeping or sorting objects. Items that offer tactile comfort, such as favorite textiles or calming-colored objects, should be seen and kept as sensory anchors at home.
For objects that trigger uncertainty, a holding strategy can help. It can be hard to make quick decisions about inherited pieces or items with complex histories. Placing these in a designated area for review gives time and control. The key is to set a plan to revisit the collection. This ensures the holding area is a temporary pause, not a source of hidden stress.
Architectural Systems for Restorative Living
Once curation is complete, focus shifts to systems to encourage a seamless daily experience. A sophisticated home needs a balance of open and closed storage. Open shelving or rails provide access to frequently used items and serve as display platforms. To prevent visual overload, pair these with closed cabinetry or integrated millwork.
In a home office, this might manifest as an elegant display shelf for books and art, paired with concealed filing or cabinetry for administrative essentials. In the kitchen, high-touch tools may remain on a beautiful tray on the counter, while secondary appliances are tucked into specialized drawers. For items that carry deep meaning but lack a functional place in the current layout, digital preservation is a thoughtful alternative. Scanning precious items like children’s art or archival correspondence keeps the memories accessible while reclaiming physical space for new experiences.
Intentional Visibility and Ease
Achieving a balance of visibility without overload is personal. While concealing belongings may lead to their eventual neglect, maintaining total visibility can inadvertently lead to sensory overload. Subtle storage tools can help strike this balance. Shallow trays, baskets, or pull-out shelves in larger cabinets prevent items from becoming buried. Clear or semi-clear bins in closed closets maintain order and allow for quick identification.
Functionality means different things for everyone, and the goal of a sophisticated organizational system is to enhance the user's experience by creating an environment that feels intentional, paced, and restorative. By moving beyond the pressure of order for order’s sake, the modern home transcends simple organization to become a landscape deeply aligned with the lives lived within its walls.
Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. A certified California Naturalist, Sarah believes in celebrating nature through responsible design that works symbiotically with the local environment.
An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has appeared in Architectural Digest, Elle Décor, Vogue, HGTV, and many other publications. In 2017 Sarah was recognized as a "Ones to Watch" Scholar by the American Society of Interior Designers (ASID) and has been awarded "Best of Houzz Design" for seven consecutive years. Sarah's MFA in visual arts from Claremont Graduate University informs her practice and innovative approach toward interior design as creating a living work of art.
Creative Workspaces: Home Office Interior Design Reimagined
As a WELL and LEED-accredited interior designer specializing in spaces that support emotional and physical wellbeing, I have a particular passion for creative workspaces. Creative work can be inherently joyful and healing, and having a dedicated space, whether an entire room, a desk, or even a chair outdoors that is devoted to accessing a creative flow state, can be an excellent way to find support in the home. Even the intentionality of dedicating an area to creativity gives that work weight and importance, automatically making it a greater priority. The more care put into thinking about a creative space, or any space, the more likely it is to become a functional presence in life, which can be a great way to encourage positive and joyful habits.
One of the things I talk about with many of my clients is designing a space that is specific to their needs and preferences, and working with them to feel comfortable eschewing any expectations they may feel obligated to meet about what a room should look or be like. Many of us adapt to the environments we are in, rather than adapting our spaces to meet our needs. Increasingly, people are craving spaces and routines that feel aligned with who we are, rather than trying to match expectations that feel out of step with what actually works for us. When I’m working, I try to take to heart the idea of meeting my own environmental and emotional needs. Not only does it support my best creative work, but it also helps reinforce how important it is for the client to have this same experience, and makes me feel more connected to my goals as a designer.
I’ve come to learn that different parts of the creative and work process may be best supported by different surroundings. When I’m waking up my brain and body, I like to start the day in the garden. Nature is a huge part of my creative work, but it’s also where I find the most joy and feel most connected to the world and to myself. I love the quiet acts of caretaking as I tend to my plants, and seeing them progress and change reflects the seasonality and natural rhythms of the earth. Seeing the plant life and the birds, and collecting pine cones and seed pods, all help me ground and relax in a way that lends itself to creative thinking throughout the day. While I don’t necessarily spend the time in my garden looking for inspiration, it always finds me. Many of the colors, textures, and imagery in my client work and in the products of my home goods studio, Kale Tree, are inspired by time spent in my garden.
After feeling fully immersed in nature and ready to begin my day in the studio, I’ve found that limited sensory input gives me the most mental space and clarity for creative expansion and problem-solving. Soft, natural lighting, silence, minimal to no scents, and no distracting textures all contribute to a profound external quiet that lets my internal world take focus, and that is really when I can enter a creative flow state where I do my best work. Then, I can tap into the imagery and inspiration that guide my designs and connect with my clients' desires without the distraction of a conflicting external space.
Knowing that I need such minimal sensory input has really emphasized the importance of encouraging clients to honor their personal sensory sensibilities. Every person needs a space as individual as they are, and it’s so important to evaluate what works best for them. If there is a moment when someone really feels they are in a flow state and connecting with a positive feeling, creatively, taking a step back afterward to take stock of their environment can be a good way to reflect on what’s most supportive.
So often, expectations around design can override actual habits and preferences. A common anecdote from clients remodeling their homes is that, although they currently have a designated home office, they usually work at the kitchen table. Knowing this becomes a great opportunity to reconsider the idea of a home workspace and embrace personal sensibilities, rather than expectations about what a home office should be or look like. Is it the warmth and comfort of being around family? The openness of the space, or a more expansive view? Maybe it’s not abandoning a home office altogether, but creating a space that adapts more to a work environment that is actually pleasurable. Taking the time to evaluate what is supportive and what makes it easier for someone to access a flow state can lead to perhaps more unconventional spaces, but also more productive ones. Re-examining how we approach these concepts and environments is one of the most exciting parts of my job and one of the best ways to help my clients physically and emotionally.
Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. A certified California Naturalist, Sarah believes in celebrating nature through responsible design that works symbiotically with the local environment.
An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has appeared in Architectural Digest, Elle Décor, Vogue, HGTV, and many other publications. In 2017 Sarah was recognized as a "Ones to Watch" Scholar by the American Society of Interior Designers (ASID) and has been awarded "Best of Houzz Design" for seven consecutive years. Sarah's MFA in visual arts from Claremont Graduate University informs her practice and innovative approach toward interior design as creating a living work of art.
A Home Without Mirrors: Intentional Interior Design
Mirrors are a staple in interior design, serving important functions as focal points, adding symmetry and balance to a room, and elevating the aesthetic with decorative frames. In smaller rooms, they are one of various design elements that can amplify the sense of space, capturing and releasing natural light. Some end users place functional value on mirrors for daily tasks.
As homeowners strive to create living environments that truly reflect their needs, and interior design serves as an inclusive tool to meet those needs, it is becoming more common to design homes that are either mirrorless, or that limit mirrors to specific areas, intentionally.
Beyond being a purposeful design element, mirrors, more specifically reflections, can impact mental health, self-confidence, and self-image. Mirrors play (or could play) a very different role for everyone, depending on the point of view, and how experience and expectations frame how a reflection is seen.
For some, the reflection is a source of affirmation. For others, the experience is the opposite. It’s an important, but subtle divide that can influence well-being.
Sometimes societal attitudes towards appearance and social media set expectations, and mirrors can reinforce ideas, whether they are relevant or not.
With this connection between reflection, perception, and health and well-being, it’s worth exploring why mirrorless design is an option and what practical design approaches can be employed as alternatives.
"Intentionally designing a mirror-free sanctuary can cultivate a space free from self-conscious distraction, fostering a deeper connection with our internal experience rather than our reflected appearance," says says WELL and LEED accredited interior designer Sarah Barnard.
Meanwhile, replacing mirrors with alternative design elements can help better customize a home for people of all abilities.
Why Design a Home Without Mirrors?
"Aesthetically, designing a home without mirrors strives for calm and order at home. The absence of reflective surfaces can also help make a space feel more contained and intimate, fostering a sense of coziness and privacy within the home," says Barnard.
How to Maximize Space Without Mirrors
Mirrors are often used strategically to create a sense of space or to reflect and disperse natural light, especially in smaller spaces. However, making a room feel light can also be achieved through other interior design elements.
Sheer curtains and carefully considered window treatments can help maximize access to natural light. Light-colored walls and furnishings can also help create a more naturally bright and airy feel. Appropriately sized furniture, placed strategically, can help with scale. Making use of vertical space draws the eye up and out. Layered lighting can reduce shadows, which can make a room look bigger.
A book collection, displayed in built-in bookcases embraces vertical space. Sheer drapes and large windows make the space feel generous and bright, without any mirrors.
Can You Include Mirrors For Functional Purposes in Mostly Mirrorless Design?
To include mirrors strictly for functional, task-oriented purposes, consider placing them intentionally and discreetly. In bathrooms, pocket and tabletop mirrors are an excellent option to provide mirrors on demand, when needed, and put away when not required. A small, retractable wall-mounted mirror, which can be pulled out is visually unobtrusive while maintaining functionality.
What Can You Use Instead of Mirrors?
Mirrors are often used to anchor a room and to achieve symmetry and balance, but they are not the only solution. Here are tips for alternatives to consider:
Mirrors often sit atop a fireplace mantel to draw the eye as a focal point. Raising the fireplace to eye level and integrating it into the wall can be a decorative alternative to both mirrors and mantels.
Textured wall art can be an alternative to mirrors, given how it adds visual and tactile interest. It can also be effective in creating balance in a space.
Consider textured art in areas such as over a foyer table, or at the end of a narrow hallway, for an impressive focal point.
Strategically placing windows in a bathroom without mirrors adds beautiful symmetry while helping to pull in natural light. A tiled wall where a mirror might traditionally hang adds a layer of visual and tactile texture.
Windows, and window placement, in the place of mirrors in a bathroom takes into account senses beyond sight, delivering warmth from natural light.
For some homeowners, a mirror-free home is practical, while others might find emotional benefit, or be drawn to the aesthetic quality. What is common among these approaches is that end users can benefit from thinking about how they want their homes to feel, and then exploring the various design elements that can help to support those feelings.
Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical, and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. A certified California Naturalist, Sarah believes in celebrating nature through responsible design that works symbiotically with the local environment.
An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has appeared in Architectural Digest, Elle Décor, Vogue, HGTV, and many other publications. In 2017 Sarah was recognized as a "Ones to Watch" Scholar by the American Society of Interior Designers (ASID) and has been awarded "Best of Houzz Design" for seven consecutive years. Sarah's MFA in visual arts from Claremont Graduate University informs her practice and innovative approach toward interior design as creating a living work of art.