In Harmony with Nature: Sustainable, Judgement-Free, Vegan Home Design

When considering eco-friendly home design, interior and architectural designers recognize that our clients seldom seek to achieve environmental perfection but rather hope to make an increased commitment to sustainability, health, and wellbeing through home design. While there is a consensus regarding individual actions to minimize ecological harm (recycling, limiting single-use plastics, and reducing our meat and dairy intake), there are instances where it may be challenging to weigh some benefits over others. For example, is it better to ship a sustainable material from far away or use a less sustainable material sourced locally? Should recycled, upcycled or vintage leather be used if it means not replacing an item as frequently, or is it preferable to entirely avoid animal products? 

Painting by Karrie Ross

With our studio's focus on wellness and sustainable home design, many of our clients ask for eco-friendly and vegan design that aligns with their values. Veganism has become increasingly popular. GlobalDate reported that between 2014 and 2017, the vegan population in the US increased by 500%. (1) An additional study by Nils-Gerrit Wunsch found that about 50% of millennials were interested in a primarily plant-based diet. (2)

Similar to vegan eating, there are many approaches to vegan home design. While some people may want zero animal products in their home, from avoiding beeswax finishes to adhesives made from animal bioproducts, many people are just beginning to consider vegan home design options. As with all our design clients, our goal with vegan clients is to understand their values, priorities, and needs and offer well-researched options that align with their ethics and design goals. 

Weaving by Aneesa Shami

One of our studio's core beliefs is that one size fits one. While there are numerous positives to adopting a vegan lifestyle, there are many reasons that veganism is not entirely suitable for everyone. Acknowledging and respecting cultural practices, dietary restrictions, accessibility of food and resources and health choices, it is vital to avoid alienation and sweeping judgment. While we strive to offer vegan home design options to all of our clients, it is crucial to consider ranging beliefs and personal needs, including options that acknowledge a wide range of views.

When we do use materials such as wool or leather, our studio takes extra considerations into the sourcing and use of these materials. Researching these items enables us to make conscious selections in the options we share with our clients and offer alternatives when appropriate. We can also ensure that these products are well crafted and enduring to sustain generations of use. 

We frequently work with local artisans and small businesses to create custom items directly suited to our clients' home design needs. By fostering close relationships with craftspeople, we can participate in every element of the process and ensure that we know where and how materials are sourced. Working with artisans also gives us flexibility when designing for vegan clients, making it easier to communicate and customize to avoid animal products. 

Painting by Renae Barnard

In our online shop, Kale Tree, you will find our design philosophy reflected in our product options. While every product offers a vegan option, we will occasionally incorporate materials like wool, which we find offers many benefits as a natural, biodegradable, and durable home decorating material. Additionally, most of our products are highly customizable and can be tailored to our client's needs, no matter how they choose to incorporate their values into their lives. 

With a non-judgmental approach, our studio hopes to reach the widest number of people, whatever their relation to vegan design, and leave the door open for vegan options and materials that a client may not have previously considered. We welcome clients to be open about their preferences to support them in creating personalized, sustainable home design for their specific lifestyles and needs. 

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).   

1 – https://www.reportbuyer.com/product/4959853/top-trends-in-prepared-foods-2017-exploring-trends-in-meat-fish-and-seafood-pasta-noodles-and-rice-prepared-meals-savory-deli-food-soup-and-meat-substitutes.html

2 - https://www.statista.com/statistics/875526/share-alternative-diet-us-generation/

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Inclusive Design Language : Building a Foundation for Wellbeing

The first step in any home design process is learning who you are designing for and their design needs. Particularly when designing for something as intimate as a residential space, effective home design requires a great deal of honesty, vulnerability, and open communication with all parties. When clients are open with us, we can design genuinely supportive spaces. If clients feel embarrassed or guarded, they may not feel comfortable being honest about their lifestyle, limiting the ability of the designed space to serve them.

For example, someone who fears judgment may not want to admit to the amount of time they spend curled up watching movies in the evenings, despite being a common way to escape the day and recover. They may perhaps instead overemphasize time spent devoted to their yoga practice. A home designer may then place ample attention on building a dream yoga studio instead of investing in a beautiful, ergonomic, and supportive movie viewing space that would contribute more to daily life. While this is a lighthearted example, there are many instances where this may play out in a more harmful or isolating way. Creating an open dialogue is crucial in preventing any missteps when designing a home.

One piece of creating open and safe relationships with clients is by using inclusive design language. Inclusive language is defined by the Linguistic Society of America as language that "acknowledges diversity, conveys respect to all people, is sensitive to differences, and promotes equal opportunities." Considering language choice does not only help create a more understanding environment between designer and client, but the entire studio team, vendors, and tradespeople. Using inclusive home design language is a small but crucial step in creating open communication and trust between everyone involved in a project.

There is a long history of home design, grounded in tradition. Learning the historical context of the language used both within design and frequently in any workplace helps us understand if the language is supportive or can cause hurt or harm. Our design studio encourages continued education and learning for our whole team. At our weekly meetings, we share information we've learned in classes we've taken, articles or books we've read, or even conversations that may have opened our thinking. Recently, we have put effort into considering the language surrounding home design.

Recently there was a push in the real estate and home design community to eliminate the term "master bedroom" due to its loaded history, replacing it with "primary bedroom." This step towards considering the legacy of language so frequently overlooked had us wondering, where does other common design language originate? How can we improve our communication to match our intentions as home designers and create welcoming, inclusive, and adaptive spaces?

Through conversations and research, here are a few of the terms we have opted to replace as a studio and the alternatives we have adapted:

Powder room: While the term originated to reference a room where one powdered their wig, the phrase later took on gendered connotations around "powdering one's nose." The language has been replaced with "half-bath" for a more approachable and less gendered option. 

Ladies and gentlemen or guys/gals: We have opted for folks, team, or friends for an option that does not assume or exclude gender identities. 

"Man" as in, man the front desk, manmade, manpower:  Our studio is replacing these with human-made, human power, staff the front desk for options that do not assert gender dominance or preference. 

Grandfather: This phrase, commonly used in home design practices to indicate a non-conforming, pre-existing condition that may remain in violation of the building code, originated in the American South in the 1890s to defy the 15th Amendment and prevent Black Americans from voting. We've opted to use legacy or exempted.

Tipping Point: The phrase was first popularized when referencing white families leaving a neighborhood when a certain number of Black people moved in. We have opted for climax, peak, or crossroads.

His and hers closets or bathrooms: While commonly used in housing and real estate, the wording is gendered and assumes a hetero-normative lifestyle. We have switched to dual closets or dual bathrooms to describe the spaces without attaching any presumptions to their use. 

Walk-up building: We are opting for non-elevator building to avoid language associated with ability. 

Allowed: Frequently used conversationally, allowed implies power over another person to grant permission, and is being replaced with invited. 

Discovered:  In the context of "we discovered this artist's work," the word reinforces colonialist language and systems. We are opting for "we have learned of". 

Blind approval: We are instead using unquestioned approval, automatic approval. 

Idioms: Our studio is making an effort to avoid any idioms and instead speak literally. Many of these phrases have loaded historical origins, and because they are often regional, they may also be confusing or unclear, muddling communication.

If you are interested in learning more about inclusive language, here are a few of many available resources: 

A Progressive's Style Guide 

Conscious Style Guide 

Diversity Style Guide 

While language is only a piece of creating a safe and welcoming space, it is an important one to set the stage for accessibility and break a language pattern that carries an outdated and harmful legacy. This process is an ongoing one, and we are continuing to learn and adapt, both in our language use and in our design practice. We encourage you to join us in a collaborative effort to adapt, update, and improve our communication and continue in the ongoing conversation surrounding compassionate home design.

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah has been quoted by Architectural Digest, Elle Décor, Vouge, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Interior Design for Wellbeing: A special presentation at the Helms Bakery Design District

Interior designer Sarah Barnard photographed by Ace Misunias.

Hosted by OM and PLP SoCal, the inaugural session of OM Chats gathers leading voices in architecture, interior, and product design for a morning discussion about the ideas shaping home design and wellness. Speakers include Sarah Barnard, WELL AP + LEED AP, principal of Sarah Barnard Design, Julie Smith-Clementi, AIA, IDSA, architect and product designer, and Adaeze Cadet, AIA, LEED AP, BD+C, vice president at HKS.

The discussion centered around how to design spaces and products that reflect a broader — more empathetic — understanding of the human experience in the workplace, health care spaces, educational facilities, and wherever people gather and live.

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).   

Healing Spaces: How Designers Can Cultivate Wellness in the Built Environment

Empathy can uncover the deep needs of humans in private and public spaces. Leading practitioners in LA's a+d community gathered Friday, October 11th at the Helms Design Center for a conversation about the role of empathy in creating extraordinary experiences.

Hosted by OM and PLP SoCal, this inaugural session of OM Chats gathers leading voices in architecture, interior, and product design for a morning discussion about the ideas shaping design and wellness. Speakers include Sarah Barnard, WELL AP + LEED AP, principal of Sarah Barnard Design, Julie Smith-Clementi, AIA, IDSA, architect and product designer, and Adaeze Cadet, AIA, LEED AP, BD+C, vice president at HKS.

The discussion centered around how to design spaces and products that reflect a broader — more empathetic — understanding of the human experience in the workplace, health care spaces, educational facilities, and wherever people gather and live.

Photo by: Steven DeWall

Transcript of Sarah Barnard’s presentation:

In my practice, as a WELL and LEED accredited interior architectural designer, I specialize in creating environments that support the occupant's mental and physical wellbeing. An empathetic approach is the foundation of my process.

As a neurodivergent person, with sensory processing differences, I know all too well that we live in a world designed for neurotypical people. Normative built environments can be extremely uncomfortable, even traumatic, for many people. For example, individuals with Post Traumatic Stress and folks on the Autistic spectrum may both have sensitivities to sound, light, textures, and odors. People with chronic migraines and people who are chemically sensitive might also have overlapping reactivity to fragrances, sounds, and light.

Photo by: Steven DeWall

The reality is, most humans will have experiences during their developmental years that forever impact their physical, mental, and emotional wellbeing.

Research indicates that traumatic experiences don't just happen to some people; they happen to most people. In the late 1990s, Kaiser Permanente conducted a study on Adverse Childhood Experiences (ACEs). They asked more than 13,000 of their members to complete a 10-question survey on traumatic childhood experiences and to report any health issues they were currently facing.

From this pool of respondents, about two-thirds had at least one ACE. 12% of the population reported an ACE score of 4 or more. An ACE score of 4+ nearly doubles the risk of heart disease and cancer and increases the risk of attempted suicide by twelve times. Understanding that the health impacts of trauma are not a "special population" issue, but a general population issue is critical to our ability to design with empathy.

Artwork: Deborah Cansler, Photo: Chas Metivier

No matter our circumstance, it can be challenging to share details about ourselves that may be perceived as a disability. So, while we can't always ask, we can understand that many of us may have unaddressed environmental needs.

Even neurotypical people, without exposure to trauma, can easily experience cognitive overload in intensely stimulating environments. Activities like commuting, social interactions, processing large amounts of data, being exposed to fragrances, and repetitive auditory disturbances, can impact our mental and emotional resilience in unseen ways. Because of the magnitude of stressors in public life, humans benefit in measurable ways from a restorative home environment. Restoring at home makes us stronger in the workplace and the world at large.

Interior Design: Sarah Barnard, Artwork: Renae Barnard + Ruben Vincent, Photo: Steven DeWall

When designing commercial office environments for clients like National Geographic Entertainment, the Christopher and Dana Reeve Foundation/ Life Rolls On and the National Immigration Law Center, I consider the intersections and overlap of the community members and develop strategies to accommodate the highest possible needs.

Though it is vital to remember, as we have access to an ever-growing body of research that informs our practice of designing spaces that encourage wellbeing, it is nearly impossible to soothe all humans with a single design solution. So, meeting clients where they are and creating a safe, judgment-free dialogue is the first step in designing inclusive, supportive spaces.

Interior Design: Sarah Barnard, Artwork: Jose Ramirez, Photo: Chas Metivier

 In my experience, being mindful and empathetic to diverse sensitivities creates an opportunity to design spaces that inspire a sense of peace. Armed with the understanding that we can't expect anyone to share the details of their pain, nor ask for what they need, designers must consider the most sensitive populations, so more environments feel safe and empowering to all.

 How do we do this?

We must think about an expansion of universal design principles to include physical, mental, and emotional health. For example, we know that biophilic design can reduce physiological and psychological stress. Having a comfortable place to meditate can reduce anxiety, depression, and pain. Exposure to natural light can regulate our circadian rhythms and increase serotonin levels.

Artwork: Ruben Vincent, Photo: Steven DeWall

When access to nature isn't readily available, art is an excellent alternative solution. Viewing original works of art can stimulate the brain, providing an imaginative connection to the mind of the artist and a momentary transcendence into another reality. In 2011 a University of London study found that viewing art produces a similar effect in the brain as falling in love, causing a rush of pleasure producing dopamine.

Just as we consider the positive impacts of nature and art on health and wellbeing, we place equal importance on the selection of materials and how they can shift the feeling, light levels, and acoustic qualities of a space.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

Because truly non-toxic materials are in limited supply, our studio regularly designs textiles, wallpapers, furniture, and light fixtures, working with local craftspeople to fabricate safely and responsibly.

 While we are mindful of avoiding materials with VOCs,  some non-toxic materials like linseed oil, tung oils, and even citrus-based solvents can cause distress to people who are chemically sensitive, people undergoing chemotherapy and people with COPD.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

In 20 years of professional practice, I have learned that empathy and mindfulness are critical in creating healing, supportive environments. Contemplating design strategies that can benefit all populations, is not a trend; it's an evolution in expanding our quality of life.

 Together, we are part of a movement to be mindful, empathetic, and collaborative, supporting one another to make all built environments healing, restorative spaces.

Interior Design: Sarah Barnard, Photo: Steven DeWall

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. With a contemporary approach that employs traditional vocabulary, Barnard’s range of style is innovative yet time-honored. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

Judgement-Free Interior Design: Let's Get Weird!

Home is a self-portrait of sorts. It’s a collection of who we are, where we’ve been and all the people for which we care. For most of us, our home is a safe space to reveal our style, family history, beliefs, and state of mind and can and should represent who you are in a healthy, useful and enduring way. For many, this is a daunting task. Even creative people find it challenging to craft a beautiful, functional and healthy home that adequately reflects their uniqueness.

The first step is finding a home designer who you are comfortable with, who you can feel safe sharing your needs and aesthetic. It can be hard to let someone into your home to sort through the details of how you live, mainly if your style or needs are not like the cookie-cutter examples in home magazines, but ultimately, allowing an interior designer to know who you are will enable them to enhance your life and lifestyle. It also means that you’re free from the burden of planning the minute details of your own space.

When asked how to begin, interior designer Sarah Barnard explained, “The first step in my design process is always learning about the people with whom I’m working. So, start by being honest. Tell your interior designer the truth about your habits, desires, future hopes and dreams.” Barnard, a Los Angeles based interior designer with a passion for fresh and unique design, is no stranger to special requests. She has designed homes for people who have physical limitations or challenges, pet menageries, tree houses, art and antique collections, vegan kitchens, and with children with special needs, not to mention the occasional adaptive re-use projects, which repurposes an old building for a different function, like a church into a home.

Regardless of your comfort level letting a designer take the reins, it is crucial to bring your situation–including all your challenges, whether that means your grandmother’s China with a questionable aesthetic or a mobility issue that requires a re-design. Asked her about finding and building a feeling of trust with your design team, Barnard said, “In my experience, people often have anxiety about how their home, hobbies or lifestyle might be perceived. Our team is made up of diverse individuals, and we pride ourselves on meeting people where they are. An authentic home has the potential to be truly restorative and inspiring.”

When asked for her favorite unusual design challenge, Barnard laughed and said, “Oh, I’ve heard them all by now. My favorite requests are often incredibly personal ones. We’ve had several clients recently who practiced co-sleeping, for example, the co-mingling of parent’s and children’s bedrooms”. One couple’s oldest child did not have his own bedroom and slept on a separate bed in the homeowners’ primary bedroom. Integrating this request required the melding of different needs and maintaining an elegant adult aesthetic, as well as adequate kid-friendly spaces.

Another client is expecting her first child and desired ultra-healthy materials and furniture that would be safe for her expected family. “She wanted materials safe enough her child could eat them. My team supplied her family with the healthiest and most pure materials available, even giving attention to the dye ingredients in fabrics and the finishes on wood. Ultimately she had a home that was beautiful and that she felt safe in.”

Worry of being perceived as messy can also hold a person back from contacting a designer. It often comes down to a lack of storage options, but for some, it can be a cathartic process to let go of the excess clutter. A significant step as the design process begins is to take stock of what items are most important: what things are no longer useful to you, and what items bring you joy? Getting rid of excess items and furniture can be an enjoyable process and will make room for you to figure out what is precious and meaningful.

For many, part of embracing their unique identity may mean collecting, restoring or displaying treasured items. That should be no surprise–there’s an entire art-form dedicated to this idea: kintsugi is the Japanese art of repairing broken pottery with 24 karat gold. The idea is that instead of throwing away something broken, it can be made whole again, and its scars are proof of its history. It’s past and age are reminders that there’s beauty in experience and what is finite.

Items with some wear and tear show their history, their usefulness, and your love for them as a badge of honor. Allowing them to retain their imperfections is a way of embracing your own. It can be especially meaningful to hold onto the items that you found while traveling or that you were gifted.

Embracing an appreciation for flawed beauty allows you to hone in on the crucial items and create a natural, healthy space. Removing clutter yet holding onto and restoring imperfect, meaningful pieces is a delicate line to walk, but it can bring authenticity and personality to your home.

There are so many unique situations that can be improved by custom, robust design. In some cases that situation may be health or physical limitations, in which case ergonomics may be a reason to ask a designer for help. They can apply universal design principles to ensure your home is comfortable for you and your family. “I’ve had several clients with special requests. One client, aside from being over six feet tall, had multiple knee surgeries that made it difficult to get in and out of chairs. My team researched and commissioned furniture with custom seat heights and dimensions to make it easier for him to get up and down.”

“It’s not all unusual requests. Sometimes the client needs something super personal that they feel unsure how to handle themselves.” Barnard described a pair of clients who were married and in their late 60s, living with one of their mothers, in her late 80s. “They wanted her close by so they could look after her, but then she also wanted her independence. The solution was creating a separate wing in their home; we essentially created a suite inside their home that included a primary bedroom, sitting room, and bathroom, but it was all closed off by a door from the rest of the house.”

When asked how involved one needs to be in the home design process Barnard said, “Every designer is different, but I let my clients be involved if they choose. Many prefer to live their lives and allow my team to handle things, but sometimes people prefer to have a more active part in the process. There’s no wrong way.” A designer who will listen to your needs and create a custom, personal space that fits your particular point of view is best.

Asked for unique requests, or something fitting the free and uninhibited side of Los Angeles, Barnard recalled, “One client who was a pilot wanted us to design a space resembling the interior of a plane. More than one client has asked us to make their home resemble the set of their favorite shows: The Crown, Game of Thrones, and Mad Men to name a few.”

Barnard added, “newlyweds are always fun to work with. They are just starting together, and they haven’t figured out how to merge their styles and possessions yet.” Couples just starting or moving to a new city can benefit from the direction of an interior designer, particularly if the couple has very different styles or collections to merge.

An enduring aesthetic and lasting materials are an indicator of a good interior designer. Barnard explained, “Lately I’ve encountered clients asking for ‘bulletproof’ furniture and finishes. I think this comes from a few places. There are so many furniture lines available to the general public now who make (basically) disposable furniture, and so often clients expect that furniture isn’t made to last. Furthermore, people don’t want to sacrifice luxury just because they have children or pets. I find it worthwhile to take the time to explain that pieces with quality materials and craftsmanship will last virtually forever with proper care.” Learning proper adequate care is a perk of working with a qualified designer. Even a carefree man cave can integrate coasters with a favorite sports team to protect finishes on furniture.

It’s important to remember that homes featured in books and magazines are chosen for their mass appeal. Your home can be a testament to your unique hobbies, interests, and passions. Your home should enhance your lifestyle and express your uniqueness. “Form truly follows function. My work is centered on health and happiness. If there is anything we can do to help our clients live better, we will do it.”

No matter who you are—collector, vegan, expectant mother, newlywed, artist, a person with special needs, pet owner—your lifestyle can be enhanced by good home design. An interior designer can help you choose the essential pieces you own to feature, plan for your growing family, art collection or future health, and design the perfect enduring and custom space for your unique style and situation.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Abigail Siniscal, Brad Nicol, Steven Dewall, Chas Metivier