Think Universal

PHOTO BY: STEVEN DEWALL

In a recent article in "Times Leader," Nancy Mattia explored universal home design with interior designer Sarah Barnard.
In the article, Mattia discusses the core ideas and considerations behind universal design when designing a residential or commercial environment.

PHOTO BY: STEVEN DEWALL

"'Universal design takes into account a broad range of users and abilities,' says Sarah Barnard, a Los Angeles home designer. 'It makes sense for designers and builders to plan our projects with that in mind since great design should accommodate the widest number of users - ourselves, our kids, our parents, our grandparents.'"

PHOTO BY: STEVEN DEWALL

Considering a range of users, Sarah can create designs welcoming to a variety of guests that ensure the design's longevity as the client's needs shift as their family grows and ages.

PHOTO BY: STEVEN DEWALL

When discussing home design details to consider, Sarah turned to room transitions and flooring, noting that decisions like tile size may affect a space's safety and functionality. Small tiles use more grout, creating larger traction areas on the floor, while oversized tiles can increase the risk of slipping.

On discussing accessibility and planning with her clients, Sarah shared that "'No one wants to think about a less-than-ideal future, when they may need help getting around and living in their home.' […] So rather than plan for tomorrow, she asks reluctant clients to plan for today: 'What would happen if one of your kids gets a sports injury and can't make it up the stairs to the bedroom or bathroom?' she asks them. Most people eventually see the light."

PHOTO BY: STEVEN DEWALL



Originally published on Ion Television, where the complete article is available. 

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Designer Sarah Barnard on Why Empathy Is Central to Her Work

Article by Gwendolyn Purdom, originally featured Houzz.

Growing up with historic preservationist parents, Sarah Barnard got her introduction to architecture and home design at a young age.

“I grew up in historic homes, and my father was restoring furniture and light fixtures and stair railings and you name it,” the Los Angeles interior designer says. “Certainly, as things progressed in life, I think his talents became mine.”

The experience also shaped the way Barnard now approaches her work as the principal designer at Sarah Barnard Design — a firm built on sustainable, wellness-focused and otherwise mindful practices. (Barnard is a WELL accredited professional, a Building Biology practitioner and a LEED accredited professional.)

“Reducing, reusing, recycling — these types of things were not novel concepts,” Barnard says. “Being sensible and responsible in our choices and in our material specifications is something that’s always been a part of my life and definitely influences the way that I work.”

Barnard, who has been using Houzz to share project photos and to connect with fellow professionals on Pro-to-Pro discussion boards almost since the platform launched, has been seeing more and more clients, parents particularly, looking at their homes through a more thoughtful, holistic lens. Beyond being environmentally conscious, Barnard’s home design projects revolve around creating spaces that are personalized to support mental and physical health and happiness.

“If we all could be so lucky to exist in a space that is uniquely ours,” Barnard says. “There really is no happier environment than a space that is specially made for you.”

PHOTO BY: CHAS METIVIER

Q. You specialize in wellness design, sustainable design, and other mindful design practices. Why did you choose to make those specialties central to your work?

A. Empathy is really the foundation of our studio’s practice. Being able to meet our clients where they are and create environments that support them in living their best lives is really the heart of what we do.

My two primary credentials are LEED AP [accredited professional] and Well AP. LEED focuses more on environmental responsibility. WELL is focused more on human health. Those two things, along with historic preservation, really are the key focuses of my practice.

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That said, the personalization piece is really where it’s at in terms of being able to adapt to a broad range of situations. Sometimes that is a client who is seeking a vegan or perhaps a sustainable and vegan environment.

Other times it might be something that’s more of a specific family need, like a child with developmental differences or a person who has 13 cats. Any personalized need that could be better accommodated through home design is something that we’re keen to help with.

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Q. How do you work around challenges those specialties may present?
A. There are always limitations, and one thing we learn as design students and we practice throughout life is that limitations really drive design. With a big, broad, open scope the outcome could be anything, but the more limitations the project has to endure, the more specific the outcome.

An example of that is that we have a client who utilizes a prosthetic leg, and of course, this is something that is integral to her day-to-day function but not something that she would like to draw attention to. In the process of designing her home, it was disclosed at some point that she didn’t want certain types of textiles that would make it difficult for her to get up or get down. Something that might be more slippery, for example.

So, something that we may not have been aware of at the start of the project — once we’re armed with the information of what specific textures are going to be safest for her, then we can proceed accordingly in recommending those well-matched solutions.

PHOTO BY: STEVEN DEWALL

Q. Where do you find inspiration?
A. On a personal level, I’m definitely very much connected to the natural world. For me, that means spending time in my garden, doing a heck of a lot of birdwatching, really being tuned in to the small daily differences — like what the birds are doing, what the plants are doing, what the caterpillars are doing.

Being in touch with what’s going on in the natural world is a really important way for me to stay grounded in my professional life. Those textures, colors, patterns, things that I experience in the outdoors definitely drive the solutions that I create indoors.

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

Q. What has been your most memorable client request? You worked with someone with 13 cats?
A. Yes. We made a special screened porch for the cats so that they could enter and exit the house safely without being eaten by a coyote or disturbing the neighborhood bird population. They were able to bask in the sun and live their happy lives safely and in a way that made the homeowner pleased.

I think perhaps the most fun request we’ve had in the last few years was that a young couple in the entertainment industry wanted an adult sleepover room. It was a very large space that would essentially have multi-functions for hosting parties, but the sofas would be modular and movable so that they could be reconfigured as king-sized beds. And if the party got late and movie-watching turned to sleep, 10 or more couples could camp in this room.

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Q. Is there one particular project that changed your business in some way?

A. In my late 20s, I had the opportunity to design the West Coast offices for National Geographic Entertainment. And that certainly was an important project for us, because it was not only aesthetically in our dream wheelhouse, but it also was a client that more than ever before really was in alignment with our values and the things that we think are important. That definitely was a fantastic experience.

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Q. What advice would you offer to pros who want to make their practice more sustainable or mindful?

A. The most critical skill in mindful design is listening — creating a space in which the client feels comfortable to share, and then really listening and asking follow-up questions, many of them, prior to offering any solutions. Probably the most common rookie designer mistake I see is, designers, want to view a space and immediately make recommendations. And in doing that they would have missed the most critical element of the space, which is the user.

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Q. What particular challenges is the interior design industry facing?
A. Interior designers have always had a singular challenge, which we will probably face for decades to come, and that is that many homeowners don’t actually understand what we do. Because of this sort of lack of education in the homeowner, they may misunderstand our services to be shopping. They may misunderstand our services to be a number of things that are not actually what interior design practice is fundamentally about. And because of this misinformation, I think designers may struggle to communicate their value to a person who perhaps hasn’t worked with a designer before or isn’t familiar with all the benefits a professional can bring to a project.

Because I have been in the game most of my adult life, I am fortunate to be approached regularly by clients who are knowledgeable, who do value what my team has to offer. I think in the rare occurrence where we’ve worked with a client who struggles to understand the process, we just remain patient and explain to whatever length necessary so that they can understand what is happening and why.

A great example of that would be, I had a client once and he said he didn’t need measuring; he just needed furniture. That’s an example of someone who just doesn’t understand the steps of the process. Being patient with him and explaining to him why measuring is critical to the process allowed him to remain in support of the work that we were doing and understand what we were delivering and why.

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Q. What advice would you offer other pros on making their own design specialties stand out?
A. It’s like the advice that our moms all gave us as children, but it’s critical to be yourself — thinking about what’s really important to you and what are the things that you really, really are passionate about and being more a part of those things.

For example, for me, it’s nature and birds and that’s my truth. It’s easy for me to talk about nature and birds because that is my real life. It’s much more difficult to try to follow the trends of others and latch on to boho-chic or whatever is the latest thing. Because if the latest thing is not your thing, it’s never going to be authentic anyway.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

A Carefully Curated Beach Home

Curating a collection of artwork for the home can be a gratifying process. While we are only beginning to understand the science behind our emotional response to art, humans have produced and sought artwork throughout the history of their existence. Researchers from the University College London found that looking at art that we perceive as beautiful activates the pleasure centers in our brains and produces a response that’s akin to falling in love, as many of us can confirm anecdotally.

It only makes sense that while designing a space, we should turn to artwork to help influence our emotional experience. As a home designer with a fine art background, Sarah Barnard recognizes the significance of using art for well-being in home design. For a recent residential project by the beach, Barnard sourced an impressive collection of artwork to enhance the lifestyle of the homeowners.

PHOTO BY: ACE MISIUNAS
Textile artwork by Aneesa Shami.

A textile piece by artist Aneesa Shami warmly greets visitors at the entrance, supporting her assertion that attention to detail can “bring comfort and peace of mind from the chaotic world.” Barnard fills the corner with playful, order seeking pieces, most literally seen in a bespoke getabako cabinet used for organization and storage. Nearby hangs Michelle Jane Lee’s painting Blue (Wave On). Its heavily textured and undulating canvas finds structural contrast in geometric blue forms, painted with pinpoint precision.

PHOTO BY: ACE MISIUNAS
Painting by Michelle Jane Lee.

In the kitchen nook, an engraving on lucite by artist Karen Sikie entitled Sunflowers lends an ethereal touch. “I hope my work is a reminder of our intrinsic connection to the natural world,” explains Sikie. Here, Barnard’s selection of artwork connects the home to nature in an area where architectural limitations prevent plants or windows.

PHOTO BY: ACE MISIUNAS
Painting by Karen Sikie.

Continuing to consider the home’s structural components, Barnard installed Kevin Moore’s Scalard Field above the kitchen table. Selecting artwork with an unconventional shape can add architectural interest to an interior without the commitment of a remodel. “The shaped canvas I make are meant to interact with the architectural lines in the home,” says Moore. “There is a symbiotic relationship between the form in my paintings and architecture.”

PHOTO BY: ACE MISIUNAS
Painting by Kevin Moore.

Finding Home, an abstract painting by Karrie Ross, mimics the flow of water and compliments an elegantly crafted dining table. Combining multiple works can feel intimidating — especially in an open-concept space such as this — but Ross insists there is no ‘wrong’ way to choose art for your home. “Collectors buy art for whatever reason they want to, whether it’s to match a color, a mood, or just because they can’t take their eyes or mind away from the way it touches them,” she says. Working with an interior designer is an excellent way to relieve the stress of incorporating several beloved pieces of art into the home.

PHOTO BY: ACE MISIUNAS
Painting by Karrie Ross.

Barnard expertly combined artwork in the living area, where a painting by Kevin Moore sits above the fireplace. Built-in bookshelves frame the piece, showcasing work by Renae Barnard, Kitty Cooper, Melissa Halozan, Katie Hoffman, and Abby Sin.

PHOTO BY: ACE MISIUNAS
Art by Renae Barnard, Kitty Cooper, Melissa Halozan, Katie Hoffman, Kevin Moore, and Abby Sin.

In the bedroom, Ruben Vincent’s mixed-media paintings hang over the bed and an heirloom dresser. “For me painting is a form of thinking that fuses knowledge of materials, a fascination with surface qualities, and an obsession with color,” he explains.

PHOTO BY: ACE MISIUNAS
Paintings by Ruben Vincent.

While clients often use mirrors to open spaces and spread light, Barnard used a reflective painting by Sin to serve the same function while adding depth and color to the room. “Paintings can become so much more than wall decor when expertly placed within a home,” notes Sin, the creator of North, which glitters behind the reading nook. “My work incorporates light-reactive films to create bold color and metallic effects. When placed in an area with ample natural light, iridescent colors shift, and the artwork functions as a prism casting reflected light.”

PHOTO BY: ACE MISIUNAS
Paintings by Ruben Vincent and Abby Sin.

An oil painting on canvas by Jennifer King entitled Dream Boy sits above the fireplace mantel. It’s surreal imagery, saturated colors, and a brooding subject serve as the bedroom’s focal point. “I enjoy the idea of art being incorporated into people’s lives, not just as an investment but as something they love enough to see every day,” says King. This philosophy is at the root of Barnard’s selections, as these works of art become integrated with the client’s daily routines.

PHOTO BY: ACE MISIUNAS
Paintings by Jennifer King and Abby Sin.

In the sports and entertainment room, Gianna Vargas’ painting Phoenix brings depth and intrigue to a casual and comfortable space. Even the ensuite bath is embellished with art and features a custom roman shade trimmed with delicate embroidery and a small painting on panel by Sin.

PHOTO BY: ACE MISIUNAS
Painting by Gianna Vargas.

PHOTO BY: ACE MISIUNAS
Painting by Abby Sin.

The artwork featured in the guest suite feels playful and unpredictable — Rose Gold Popsicle, a resin sculpture by Betsy Enzensberger, is placed opposite Reaching 2, another painting by Karrie Ross. “With my work, the message is simple: Joy,” affirms Enzensberger. “This is what drives me to keep creating. It makes me happy to bring others joy.”

PHOTO BY: ACE MISIUNAS
Art by Betsy Enzensberger and Karrie Ross.

Barnard utilized her long-standing relationships with local artists to curate a collection to inspire her clients and contribute to their wellbeing. The result is a colorful, kid-friendly space featuring a wide range of pieces that have the potential to appreciate in value— from handmade textile art to abstract paintings and tabletop sculptures.

PHOTO BY: ACE MISIUNAS
Painting by Kevin Moore.

Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Healing Spaces: How Designers Can Cultivate Wellness in the Built Environment

Empathy can uncover the deep needs of humans in private and public spaces. Leading practitioners in LA's a+d community gathered Friday, October 11th at the Helms Design Center for a conversation about the role of empathy in creating extraordinary experiences.

Hosted by OM and PLP SoCal, this inaugural session of OM Chats gathers leading voices in architecture, interior, and product design for a morning discussion about the ideas shaping design and wellness. Speakers include Sarah Barnard, WELL AP + LEED AP, principal of Sarah Barnard Design, Julie Smith-Clementi, AIA, IDSA, architect and product designer, and Adaeze Cadet, AIA, LEED AP, BD+C, vice president at HKS.

The discussion centered around how to design spaces and products that reflect a broader — more empathetic — understanding of the human experience in the workplace, health care spaces, educational facilities, and wherever people gather and live.

Photo by: Steven DeWall

Transcript of Sarah Barnard’s presentation:

In my practice, as a WELL and LEED accredited interior architectural designer, I specialize in creating environments that support the occupant's mental and physical wellbeing. An empathetic approach is the foundation of my process.

As a neurodivergent person, with sensory processing differences, I know all too well that we live in a world designed for neurotypical people. Normative built environments can be extremely uncomfortable, even traumatic, for many people. For example, individuals with Post Traumatic Stress and folks on the Autistic spectrum may both have sensitivities to sound, light, textures, and odors. People with chronic migraines and people who are chemically sensitive might also have overlapping reactivity to fragrances, sounds, and light.

Photo by: Steven DeWall

The reality is, most humans will have experiences during their developmental years that forever impact their physical, mental, and emotional wellbeing.

Research indicates that traumatic experiences don't just happen to some people; they happen to most people. In the late 1990s, Kaiser Permanente conducted a study on Adverse Childhood Experiences (ACEs). They asked more than 13,000 of their members to complete a 10-question survey on traumatic childhood experiences and to report any health issues they were currently facing.

From this pool of respondents, about two-thirds had at least one ACE. 12% of the population reported an ACE score of 4 or more. An ACE score of 4+ nearly doubles the risk of heart disease and cancer and increases the risk of attempted suicide by twelve times. Understanding that the health impacts of trauma are not a "special population" issue, but a general population issue is critical to our ability to design with empathy.

Artwork: Deborah Cansler, Photo: Chas Metivier

No matter our circumstance, it can be challenging to share details about ourselves that may be perceived as a disability. So, while we can't always ask, we can understand that many of us may have unaddressed environmental needs.

Even neurotypical people, without exposure to trauma, can easily experience cognitive overload in intensely stimulating environments. Activities like commuting, social interactions, processing large amounts of data, being exposed to fragrances, and repetitive auditory disturbances, can impact our mental and emotional resilience in unseen ways. Because of the magnitude of stressors in public life, humans benefit in measurable ways from a restorative home environment. Restoring at home makes us stronger in the workplace and the world at large.

Interior Design: Sarah Barnard, Artwork: Renae Barnard + Ruben Vincent, Photo: Steven DeWall

When designing commercial office environments for clients like National Geographic Entertainment, the Christopher and Dana Reeve Foundation/ Life Rolls On and the National Immigration Law Center, I consider the intersections and overlap of the community members and develop strategies to accommodate the highest possible needs.

Though it is vital to remember, as we have access to an ever-growing body of research that informs our practice of designing spaces that encourage wellbeing, it is nearly impossible to soothe all humans with a single design solution. So, meeting clients where they are and creating a safe, judgment-free dialogue is the first step in designing inclusive, supportive spaces.

Interior Design: Sarah Barnard, Artwork: Jose Ramirez, Photo: Chas Metivier

 In my experience, being mindful and empathetic to diverse sensitivities creates an opportunity to design spaces that inspire a sense of peace. Armed with the understanding that we can't expect anyone to share the details of their pain, nor ask for what they need, designers must consider the most sensitive populations, so more environments feel safe and empowering to all.

 How do we do this?

We must think about an expansion of universal design principles to include physical, mental, and emotional health. For example, we know that biophilic design can reduce physiological and psychological stress. Having a comfortable place to meditate can reduce anxiety, depression, and pain. Exposure to natural light can regulate our circadian rhythms and increase serotonin levels.

Artwork: Ruben Vincent, Photo: Steven DeWall

When access to nature isn't readily available, art is an excellent alternative solution. Viewing original works of art can stimulate the brain, providing an imaginative connection to the mind of the artist and a momentary transcendence into another reality. In 2011 a University of London study found that viewing art produces a similar effect in the brain as falling in love, causing a rush of pleasure producing dopamine.

Just as we consider the positive impacts of nature and art on health and wellbeing, we place equal importance on the selection of materials and how they can shift the feeling, light levels, and acoustic qualities of a space.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

Because truly non-toxic materials are in limited supply, our studio regularly designs textiles, wallpapers, furniture, and light fixtures, working with local craftspeople to fabricate safely and responsibly.

 While we are mindful of avoiding materials with VOCs,  some non-toxic materials like linseed oil, tung oils, and even citrus-based solvents can cause distress to people who are chemically sensitive, people undergoing chemotherapy and people with COPD.

Interior Design: Sarah Barnard, Artwork: Kevin Moore, Photo: Ace Misiunas

In 20 years of professional practice, I have learned that empathy and mindfulness are critical in creating healing, supportive environments. Contemplating design strategies that can benefit all populations, is not a trend; it's an evolution in expanding our quality of life.

 Together, we are part of a movement to be mindful, empathetic, and collaborative, supporting one another to make all built environments healing, restorative spaces.

Interior Design: Sarah Barnard, Photo: Steven DeWall

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. With a contemporary approach that employs traditional vocabulary, Barnard’s range of style is innovative yet time-honored. The ideas most essential to her practice and design process are wellness, historic preservation, and the infinite ways in which design can enhance life.

How Empathy Creates Extraordinary Experiences: Leaders in Wellness Design Explore Designing for Human Experience

PROGRAM DETAILS

7:30 - 8:00 check-in and breakfast

8:00 - 9:00 presentations and conversation

Why Should You Attend?

Empathy can uncover the deep needs of consumers, students, employees, caregivers. The design world is ideally situated to leverage these profound understandings to build better and healthier products, spaces, solutions. This session will address:

• How do we think about empathy not only as a practice of being but as a practice of doing?

• How do we design products that reflect a broader understanding of human experience in the workplace, healthcare spaces, educational facilities, and more?

• What is empathetic product design and how does it fit with empathetic space design?

• What are some examples of empathy at play in product and space design?

• What are the implications of empathetic design for the future?

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SPEAKER BIOS

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VENUE MAP AND PARKING

The Design Center is located in the center left of the map below, in the atrium surrounded by the green numbers 11-15. Free parking is available to the right, at the circled P.

“Scandifornian” design goes coastal

Scandinavia and California don’t have much in common (the weather, for starters) but when it comes to home design, these two regions have strikingly similar taste. This is exemplified through the use of neutral color palettes, natural fibers, sustainably-sourced wood, and intentional accessories in both decorating styles. 

Interior designer Sarah Barnard recently renovated a 3,600-square-foot family home, not far from the bluffs that overlook the Pacific Ocean. Although the home was originally constructed in 1949, its revamped aesthetic is best described as ‘Scandifornian.’

The beachy blue and white exterior hints at what’s to come once you step inside. Distressed red brick forms a path to the entryway, which is framed by carved wood corbels that are original to the house. The foyer alcove includes a live edge wood table and a curated collection of seashells and minerals, blending organic elements with simple, clean lines.

Featuring handmade, live edge tables made by a local artisan.

But what instantly captures your attention is the light-drenched living room, featuring a vaulted ceiling with exposed wood beams. “The original bones of the house were excellent,” explains Sarah. A custom concrete fireplace designed by Sarah runs nearly the entire length of the wall. It’s boxy, modern shape is tempered by irregularly etched lines that “mimic the movement of the nearby sea.” 

The lightly-finished hardwood flooring, all natural, non-toxic sofa, shaggy wool floor cushion and wheel-thrown ceramics exude laid-back, Scandifornia style. Here, the aesthetic is minimal, but never cold or uninviting. Taking a seat on the floor is encouraged and each decorative object or family photo has a story behind it. 

A fine artist herself, Sarah collaborated with a trusted woodworker to create the living room wall sconces, carved from American Walnut. “The organic forms and natural finishes match perfectly with the coastal ambiance of the space,” notes Sarah. 

To build these custom creations, Sarah delivered sketches and sculptural models to the woodworker to convey her ideas. The prototype was referenced throughout the fabrication process to ensure accuracy, resulting in one-of-a-kind fixtures that serve as functional works of art. 

Natural dining chairs by the Cherner Chair Company have a slim silhouette.

The dining room was “designed to feel soft and light,” with a neutral color palette, elongated dining table, natural dining chairs and a chandelier that appears to be floating in mid-air. The fireplace surround is yet another of Sarah’s custom designs. “I chose tile glazed in brilliant blue to create an updated linear pattern neatly framed by a custom concrete mantle,” she adds.

Sarah once again worked alongside a local artisan to produce the orb-like sconces that brighten up the space. “I often take formal inspiration from the home's location and reinterpret that within the space,” explains Sarah, who used the home’s coastal locale as the jumping off point. She handcrafted a number of small ceramic prototypes for the client to review before agreeing on the current iteration.

The kitchen expertly combines old and new. “There is an exposed brick fireplace that remains a decorative element in the new kitchen,” says Sarah. “We wrestled with the idea of preserving or upgrading the original red brick. We collectively decided to keep it — in the kitchen only — as a homage to the architect’s original intent.” The light blue cabinet doors feature subtle detailing and the quartz countertops are flecked with real seashells. The office nook is the perfect spot to search for a new recipe or respond to emails, while the adjacent pantry offers plenty of storage and a stainless steel French-door refrigerator.

The ground floor is rounded out by a serene guest bathroom with a custom floating vanity, matching wood-framed mirror, and a vessel sink that sits atop an onyx countertop. Although the space consists of mostly hard surfaces, it is warmed up through the use of light wood tones, soft lighting and texture-rich pebble flooring. 

A handmade table by a local artisan anchors the space between the living room and dining room.

The California and Scandinavian home decorating styles share many of the same values, most notably an appreciation of natural beauty and fine craftsmanship. Throughout this project, Sarah worked side-by-side with local artisans and craftspeople to realize her custom furnishings and lighting designs. “Unique handmade objects bring authenticity and personalization to a home,” says Sarah. The finished product masterfully combines coastal California influences with the simplistic forms and function of Scandinavian home design.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

Photos by Steven Dewall and Chas Metivier

Why outdoor living spaces are right for your health, and how to design yours to perfection.

Hand printed outdoor textiles highlight the weathered teak furnishings and compliment the pool tile. Photo by Renae Barnard.

The Environmental Protection Agency estimates that the average American spends 87 percent of their time indoors. We put considerable effort into designing the interiors of our homes, with little regard for the outdoor spaces.

"No matter where you are or how large your outdoor space, you can benefit from a daily connection with nature," says sustainable interior designer Sarah Barnard. Want to spend more time outdoors this summer? Rethinking your balcony, garden, or terrace is an excellent place to start. Here are a couple of reasons why outdoor living equates to a healthy life.

It benefits your mental and physical health.

Imagine stepping out onto your front porch with a cup of tea in hand, feeling the morning sun on your skin. Sounds nice, right? Moderate sun exposure does the body good — refreshing our circadian rhythms, lowering cortisol levels and blood pressure, and improving concentration. Sarah's morning routine includes a stroll through the garden with her miniature poodle, Lucy, in tow. "It allows me to start the day cheerful, grateful and breathing fresh air," she explains.

A glorious guest cottage inspired by Cape Cod and flattered by painstaking attention to detail. Photo by Renae Barnard.

It encourages us to spend more time with our loved ones.

We get it — planning and hosting an event is stressful. Even if you burn the hors d' oeuvres to a crisp, run out of red wine, or forget to bring out the on-theme cocktail napkins, it's always worth it in the end, isn't it? A Mayo Clinic study shows that socializing with your closest friends and family improves your overall sense of well-being and purpose.

And since summer is the time for alfresco entertaining, what could be better than celebrating the season in your beautifully designed outdoor space, surrounded by your nearest and dearest? Thanks to improvements in technology and design, outdoor furniture and decor have come a long way (see ya, fold-up camping chairs). Today, our outdoor living spaces can be just as comfortable and luxurious as our indoor spaces.

Fresh and fun colors come to life in the open air media room. The locally made sectional sofa was designed to fit the homeowner’s specific desires: all natural & non-toxic materials, handmade in California. Photo by Steven Dewall.

Now that we've established why you should be spending more time outdoors allow us to explain how to do it in style. When designing an outdoor living space, Sarah advises her clients first to select a focal point. "Is it a beautiful tree? A softly trickling fountain? An impressive outdoor kitchen? The elements that you choose to dominate the space physically and visually influence its overall feeling and mood" says Sarah.

Mimic your interior spaces outdoors.

We're not suggesting you expose your vintage leather sofa to the elements, but integrating pieces that create a feeling of coziness — like a knit throw or an outdoor fireplace — will make chilly evenings more enjoyable. During the daytime when the summer sun is beating down, you'll want to add shade through the use of a modern pergola, permanent roof, shade sail or patio umbrella. And avid home cooks may consider investing in a fully-equipped outdoor kitchen, complete with a gas grill, pizza oven, prep sink, storage cabinets, counter space and a compact refrigerator (you know, for all the rosé you'll be drinking this summer).

The cozy patio pairs luxurious outdoor tiles with Chinese artisan pottery to create a quiet retreat. Photo by Charlie Daniels.

When in doubt, hire a designer

"Even creative people find it difficult to craft a beautiful, functional and healthy home that adequately reflects their uniqueness," notes Sarah. When laying out your design plans for a courtyard or veranda, hiring an experienced designer is the first step. Not only does an expert have access to a broader selection of custom outdoor furnishings and fabrics, but they can also ensure the final product will be flawless. "Your interior designer has a vested interest in the success of your project being completed to the highest caliber and can be an invaluable asset when dealing with vendors and contractors," adds Sarah.  

This stylish patio showcases handmade roman shades attach to a custom wood enclosure for privacy and shade. Photo by Steven Dewall.

A designer will create a multi-functional outdoor space with your preferences and goals in mind. They're able to conceptualize the big picture and execute every detail with precision. It's time to unlock the untapped potential of your seldom-visited balcony, courtyard, or terrace. Whether you crave a secret garden or a lively space to entertain, a designer can turn your idea into a reality. "Your home should enhance your lifestyle and express your uniqueness," says Sarah. "My work is centered on health and happiness — anything we can do to help our clients live better, we will."

Sarah Barnard designs healthy, happy, and personalized spaces that are deeply connected to nature and art. To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

A natural teak wood ball fashioned into a rugged side table pairs with a weathered teak armchair and lightweight pottery. Photo by Steven Dewall.

Sneak Preview: Pasadena Showcase House for the Arts 2019

The Boddy House built in 1937 by architect James Dolena at the Descanso Gardens.

On April 16th, Pasadena Showcase House for the Arts (PSHA) opened its 2019 Design Showcase House for an exclusive press-only preview. As a notable interior design firm and social media influencer, Sarah Barnard Design was invited to attend the press viewing and capture a sneak peek of the house, which opens later this month. While the select group of visitors was allowed to take photos, no guests will be allowed to take pictures or use cell phones once the event officially opens.

This year’s design showcase location is the historic Boddy House on the grounds of the beautiful Descanso Gardens. Notable Los Angeles architect James E. Dolena designed the home in 1937 in his trademark Hollywood Regency Style for E. Manchester Boddy, owner of the former Los Angeles Illustrated Daily News and founder of the Descanso Gardens. Now owned by the Los Angeles County and considered a house museum, Pasadena Showcase House for the Arts selected the Boddy House to be transformed by interior designers for the 43rd annual showcase event.

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Each designer was assigned a room of this bi-level garden estate to makeover resulting in the complete rehabilitation of the historic property. Hearkening back to the Hollywood’s “Golden Era” the designers offer a contemporary reinterpretation of the original Hollywood Regency Style abound with opulent detail, vibrant patterns, and bold color schemes. Botanical inspiration abounds as lush gardens surround the property in the full bloom of Spring. Floral wallpapers, nature-inspired furnishings, and organic sculptures bring new life to the home.

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The Boddy House will be open from April 21st to May 19th, 2019. Tickets can be purchased in advance online at http://pasadenashowcase.org/

Pasadena Showcase House for the Arts, a non-profit, all-volunteer organization, runs this showcase house as a fundraiser for their charity work and welcomes nearly 25,000 visitors each year. All money raised from this event will support local music programs. Designers from all over California come to take part in the making of this project to benefit the community. See this year’s crop of designers, who generously donated their time and expertise, here.

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Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.

2018 Showcase Archive

Photos by Abby Siniscal