Cosmopolitcal Design: A New Modality Harnesses the Connection between Home and Nature

With global society and climate in flux, mapping out new ways to live and create in the world has become an essential project. Amid the competing approaches to this transformation, the philosophical school of cosmopolitics, as its name suggests, addresses this challenge in a uniquely holistic way and presents an entirely new perspective on the human relationship with the world.

Albena Yaneva, in her introduction to What is Cosmopolitical Design?: Design, Nature, and the Built Environment, explains that “Cosmopolitical thinkers...see nature as no longer being unified enough to provide a stabilizing pattern for the experience of humans; it is not ‘out there,’ a simple backdrop for human activities.” Cosmopolitics distinguishes itself from cosmopolitanism by positing a relationship with nature and its non-human denizens defined by cohabitation rather than dominance. As Yaneva writes, “These thinkers abandon the modernist idea of nature as being external to the human experience—a nature that can be mastered by engineers and scientists from outside.” 

How does this cosmopolitical perspective manifest in the world of home design? To Yaneva, “It challenges design...to encourage the enactment of new relationships both within and potentially outside the designed space.” Cosmopolitical home design is deeply tied to its locality and integrated with its environment. Yaneva describes cosmopolitical design as “required more than ever to address the primordial question of what it means to live together. That is, the co-existence of humans and non-humans, of how they share space and find ways to live together in peace.”

Because the cosmopolitical way of thinking is so all-encompassing, the approaches to incorporating cosmopolitics into home design are fittingly varied and can be scaled to projects as vast as urban planning or as circumscribed as landscaping a backyard. Manifestations of cosmopolitical home design can range from home renovation with the local climate in mind (for example, placing windows for optimal warmth or cooling of interior spaces) to pollinator-friendly gardens teeming with plants indigenous to their region.

To interior designer Sarah Barnard, WELL AP + LEED AP, bringing cosmopolitics into her home design practice means cultivating spaces that are specific both to her clients and as well as to the local environment and that encourage an accord with the natural world. Sarah says, “Finding ways to harmonize the design of a space to a specific environment instead of working against it is both challenging and rewarding. When a designed space and its greater environment are fully integrated, the effect is almost easier to feel than observe.”

Sarah explains, “I always look for opportunities to create inviting connections between the indoors and the outdoors. This continuity with the natural world is beneficial for emotional and mental health—it’s not just a source of beauty but nourishment.” For an artist’s bungalow, Sarah created a visual continuity between lush indoor plant life and the garden outside, and then took it a step further. Sarah designed the outdoor garden to support pollinators, birds, and other wildlife. The garden is a Certified Monarch Waystation, providing resources to support migrating Monarch butterflies by providing food, water, cover. Sarah said, “Designing homes for wellbeing doesn’t have to stop at the comfort of the client. Incorporating elements of design that nurture the local ecology deepen our relationship with nature and result in spaces that are unified with their surroundings.”

This particular expression of cosmopolitical home design can be achieved even with limited outdoor space. For an oceanview penthouse, Sarah transformed a balcony into an inviting habitat for local and migrating wildlife by adding potted olive trees and an herb garden. “Considering plants not just for their decorative beauty but also what they can offer to the local environment is a concept that works on virtually any scale,” Sarah says. To decorate the interiors, Sarah selected natural and eco-friendly furnishings and textiles, adding that “Organic materials have a gentler environmental impact, and from a wellness perspective, are kinder to the people who live with them.”

When selecting materials and furnishings for home decorating, Sarah often looks to her clients’ priorities to guide her approach to creating spaces that embody a cosmopolitical perspective. For one high-rise suite, the owner’s love of animals was demonstrated not only through the choice of art and decorative objects, but also wanted this care toward animals extended outside home design and beyond aesthetics. Sarah addressed this by using exclusively vegan materials and furnishings for this project. Sarah explains, “No space exists in a vacuum—every object and material we use has a footprint that goes well beyond the front door, so considering the story of the materials we use and the impact that they have on the world is a way to invite cosmopolitical ideas into home design.”

Sustainable materials can also have unexpected origins. For the kitchen of a historic craftsman bungalow, Sarah installed a countertop made of recycled beer bottles, a non-extractive alternative to a more traditional quarried stone countertop. “Not only is the material beautiful and environmentally conscious, but there’s also a little whimsy in how it reinvents something ordinary and adds character to the space,” Sarah says. The implications behind cosmopolitical home design may be weighty, but there is always room for playfulness.

“When I look at my work from a cosmopolitical perspective,” says Sarah, “I see tremendous opportunity for creativity. We are seeing our way of life change in real-time, and as a home designer, I’m lucky to be able to be a part of facilitating that transformation for my clients.”

Sarah Barnard is a WELL and LEED accredited designer and creator of environments that support mental, physical and emotional wellbeing. She creates highly personalized, restorative spaces that are deeply connected to art and the preservation of the environment. An advocate for consciousness, inclusivity, and compassion in the creative process, Sarah’s work has been recognized by Architectural Digest, Elle Décor, Real Simple, HGTV and many other publications. In 2017 Sarah was recognized as a “Ones to Watch” Scholar by the American Society of Interior Designers (ASID).

Sarah Barnard Celebrates Over Ten Years of LEED Accreditation

Leadership in Energy and Environmental Design Accredited Professional (LEED AP) designers bring their expertise to every project, creating healthy and environmentally responsible spaces for their clients. LEED certified buildings and homes provide lasting benefits for users, the surrounding community, project stakeholders, and the environment at large.

Photos by: Brad Nicol

A sustainably designed, constructed, and maintained LEED-certified building positively affects the health of its employees or residents by improving air quality, reducing exposure to toxins, and ensuring adequate levels of natural light. LEED buildings yield lower operating costs and higher resale values and lease-up rates for property owners. They also consume less water and energy, reduce carbon emissions, and divert waste from landfills.

LEED-certified homes benefit not only their inhabitants but the community and environment. Green homes offer year-round comfort and healthy indoor environments. They, too, use less water and energy, which is a win for homeowners’ wallets but also reduces strain on the community’s resources. LEED-certified homes are known to sell faster and for more money, which can raise property values for the entire neighborhood.

Sarah Barnard is an interior designer, WELL AP, and Legacy LEED AP who recently celebrated the 13th anniversary of earning her LEED credentials. Legacy LEED AP is the title given to early participants in the program who passed the LEED exam before 2009 when the U.S. Green Building Council introduced specialties.

“I care about the future of our environment and work to ensure that my home design projects support wellness for people and the planet,” says Barnard. “The Legacy LEED AP credential demonstrates my long-standing commitment to healthy, sustainable design.”

As a leading expert in her field, Barnard has given lectures at the University of California, Los Angeles (UCLA), California State University, Northridge (CSUN), Fashion Institute of Design and Merchandising (FIDM), and SCALE: The American Society of Interior Designers (ASID) National Student Summit. She has presented at the LA Home and Garden Show, Pacific Design Center, California Preservation Foundation, and Textile Arts LA. Most recently, OM Chats hosted Barnard and fellow design leaders Adaeze Cadet (AIA, LEED AP BD+C, Vice President at HKS) and Julie Smith-Clementi (AIA, ISDA, Product Designer and Architect, Smith-Clementi) to take part in a multi-speaker conversation around the role of empathy in home design.

In 2017, Barnard was recognized as an ASID Ones to Watch scholar in the program’s inaugural class. ASID created the leadership development training program to promote diversity and propel the industry forward. Barnard confers with a national network of her fellow interior design scholars to share research and feedback.

While the LEED rating system focuses on the design, construction, and operation of buildings, the WELL Building Standard emphasizes the health and wellness of the people inside of them. The LEED and WELL programs are complementary and receiving accreditation with both has informed Barnard’s holistic approach to healthy, sustainable home design.

Barnard is an advocate for consciousness, inclusivity, and compassion in the creative process. Through her speaking engagements, pro-bono work, and writing, Barnard hopes to draw attention to these critical design objectives. Barnard is creating a future that includes greener buildings, healthier interiors, and enlightened home design.

Sustainable Design - An Undeniable Choice

 Sustainable interior design has been applied in numerous ways to our lives and is considered to be a reply to our day and age: the age of Information and Ecology. Our need for a sustainable environment is much more of an obligation than a desire, in professional interior design practice. ‘Form follows environment’ - a term addressed by Richard Hyde - is a simplification of this concept. Understood as a relationship between individuals and their current natural environment, its degree of impact depends on the selections of materials, furnishing, and lighting.

    Green interior design practice requires addressing several primary issues. First, to decide which are the most reliable and useful sources of knowledge base taking into account the amassment of information available. Second, to engage the clients and users by providing an accurate understanding of the benefits which, in turn, make for more confident in the decision-making process. Third, to find a way to assist and encourage the manufacturers and builders to apply and deliver environmental architecture.  As an interior designer, sustainability in design primarily focuses on the specifications of furnishing, fixtures, equipment, and lighting.

    One of the criteria for specifying sustainable materials is the aspects of function. A carpet installed in a commercial building must be more durable than the one used in a residential space due to its high traffic. Considering all of the possible contexts and maximizing the potential and longevity of home design materials is of great importance. Additionally, the methods of material production should come into consideration. The energy used in this process is called embodied energy. Each different material has an unusual amount of embodied energy. The manufacturing of natural materials such as wood and stone requires less energy than plastic, concrete or steel. The gas emission throughout the use of the material and its future recycling potential should be considered not only for the sake of the environment but also to ensure a high level of indoor air quality for occupants. Typical examples of sustainable materials are cork, straw, wool or bamboo. Rapidly renewable materials are known to be less energy-intensive to produce. For instance, bark from the cork oak tree can be harvested every nine years. Ultimately reducing the use and depletion of finite raw materials and long-cycle renewable material. Cork is also being used in acoustic and thermal insulation for its sound-proofing quality and is a flexible building material that is less affected by impact and friction.

Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

A ocean view penthouse with a bird's eye view of the coastline dressed with eco-friendly furnishings, natural textiles, and organic rugs provide a perfect Zen retreat.

  Sustainability also can be demonstrated through lighting choices. The use of lighting plays a significant part in the total consumption of electric energy. This choice requires not only clients but also interior designers to consider the possibilities of other alternatives to maximize the light coming into the building without increasing the energy consumption. Providing more light can be achieved either by taking advantage of the natural light source through bringing light into a building interior and distributing it in a way that provides better illumination and considering pleasing, light-friendly interior objects and surfaces as well as flexible light controls; or using products that assure more energy saving than traditional ones.

Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

Taking advantage of a natural light source by bringing light into a building interior and distributing it in a way that provides better illumination.

Modern technology allows the installation of the light piping system or laser cut panels to carry daylight to the deep interior space of a building, even to the basements. Such advanced techniques like the piping system can provide 25 - 50% (Kadir, A., Ismail, L.H. & Kasim, N) of the workplace illuminance in commercial or office building and overall reduce energy consumption. These light tubes act as a light transport guiding the light into the room, increasing the efficiency without producing extreme warmth. This phenomenon occurs because the design of the tube integrates highly reflective internal surfaces, like aluminum sheeting with a reflectance of about 95 - 99% (Kadir, A., Ismail, L.H. & Kasim, N).

    Last but equally important, the furnishing choices have a significant impact on the environment and occupant’s health. Manufacturers can control the emission of volatile organic compounds by limiting the use of solvents in paints, stains, and glues. However, it is also the designers’ role to help their clients be more environmentally conscious with the furniture they choose. Purchasing the FSC certified or reclaimed wood helps to prevent the deforestation of tropical rainforests. Another example is in the choices of mattresses. The concern about what is in a mattress is essential. Not only because you spend a third of your life in bed but also because any product made with synthetic materials carries potential health risks. Because such items like mattresses, furniture cushions, pillows, carpet pad, and clothing, all contain a certain level, if not mainly, of petroleum-based foam, which is known to affect the nervous and immune system and cause illnesses. Therefore, lessening the dependence on petroleum is a commendable attempt. Manufacturers are experimenting with vegetable oils like soybean and latex foam producers are replacing some or all of the synthetic content for natural latex. The easiest way to be a responsible shopper is to choose a mattress that can function for an extended period.

Interior design by: Sarah Barnard  -  Photo by: Brad Nicol

A primary bedroom outfitted with eco-friendly finishes in leather, rattan, maple, and wool.

Overall, the main objective of choosing and using sustainable products, either under the role of customer or interior designer, is not only to improve the quality of life of the occupants but also to maximize positive impacts on environmental, economic and social systems over the life cycle of a building. These all start from the awareness of the surrounding environment and the availability of eco-friendly choices.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art.

To learn more about Sarah Barnard Design, please visit www.SarahBarnard.com.