The Inclusive Kitchen: Universal Home Design Improves Quality of Life

Interior Design by Sarah Barnard. Photos by Steven Dewall. Originally published in LADESIGN Quarterly, by the Los Angeles chapter of the American Society of Interior Designers.

Interior Design by Sarah Barnard. Photos by Steven Dewall. Originally published in LADESIGN Quarterly, by the Los Angeles chapter of the American Society of Interior Designers.

Universal home design is intended to improve the quality of life for all users, regardless of age or ability. When applied to the kitchen, these principles should ensure safety, efficiency, and comfort. The term was first coined in the 1970s by architect and disability rights advocate Ronald Mace. Since then, universal home design practices have been rising steadily due to its inclusion in formal design education and support from professional associations like ASID, who provide research and case studies for universal design and aging in place.

In my practice, as a WELL and LEED accredited designer specializing in healthy, sustainable interiors, I often find that planning for the future can be intimidating for clients, but doing so ensures they will be happy spending a lifetime in their homes. 

I recently completed a home remodel for a retiree, who wanted the kitchen to function well when cooking for one. However, she often hosts friends and family, so it also had to be designed with entertaining in mind.

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Knowing the kitchen would be widely used, we considered universal home design principles to increase its functionality. The aesthetic was inspired by the cool, collected nature of the home's coastal locale and the utility and simplicity of Scandinavian design.

I specified a U-shape layout to provide unobstructed traffic flow and ample counter space. The kitchen is open to the dining area, and there are no barriers, such as steps or a doorway, to separate them. It's a confined space, which reduces the amount of back and forth travel. 

I find that most clients are unwilling to plan for a mobility challenge they may never have. While we can't always get them to agree to a design that accommodates a wheelchair, clients are often comfortable with a clearance of 54 inches for mobility aids such as a walker or cane. If designing for wheelchair mobility, knee to toe clearance allows for easy access.

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I used both upper and lower cabinets to give the homeowner plenty of storage. Keeping countertops clear, in turn, mitigates safety risks. The slide-out drawers are gentler on the back — she doesn't have to bend over or reach up high to access what she needs.

A large window provides views of the outdoors and welcomes natural light. Connecting with nature, even through a window, positively impacts our wellbeing by reducing blood pressure, slowing down our heart rate, and alleviating stress. Natural light, combined with the recessed lighting and oversized pendants, relieves eye strain and helps the homeowner safely perform tasks like chopping or peeling. 

For the hardware, I chose large, integrated pulls instead of knobs because they're easier for stiff or shaky fingers to grasp. According to the Centers for Disease Control, 54.4 million Americans are affected by arthritis, the majority of whom are 65 and older. While a knob requires the user to bend their fingers to latch onto it, a cabinet with a pull can be opened with limited dexterity using only one or two fingers. 

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The homeowner preferred a single-lever faucet; however, if increased accessibility is the primary concern, touch-less faucets can be an excellent alternative. Clients may be hesitant to select this high-tech feature if their experience has been limited to unreliable public restrooms. Fortunately, more and more stylish options for residential spaces are becoming available. 

If the homeowner were to change her mind, the electrical components could be concealed in a base cabinet or behind an access panel. It's essential to consider your surroundings when installing a touch-less model as some products will not operate correctly if they are in proximity to other metals, like a copper sink or stainless-steel backsplash.

The French door refrigerator can be opened without much exertion thanks to its oversized pulls, and the efficient design means everyday ingredients are displayed for easy access. It has a well-lit interior to aid those with vision loss.

The kitchen countertop is white engineered quartz with subtle gray veining. This human-made material is durable and stain-resistant, requiring less maintenance on behalf of the homeowner. People with impaired vision will be better able to identify the kitchen tools and ingredients in front of them, as the brilliant white creates high contrast. I sourced a cream-colored matte glass tile backsplash to prevent surface glare.

Natural French oak flooring was used throughout the open-concept space, eliminating any unsafe transitions. The material has a matte finish and was designed to be slip-resistant — an absolute must in the kitchen where spills are common. It also feels comfortable underfoot and has more spring to it than other flooring types, which is easier on the joints.

Open shelving on the back of the peninsula adds a pop of color to the space. This bookshelf created an opportunity to display some of her most treasured collectibles, which spark joy each and every time she sees them.

The antique rosewood dining table, sourced from Thailand by the homeowner, is located within close reach of the kitchen, so heavy platters of food needn't be carried far. The open floor plan makes it easy to converse with guests who are seated at the table while she's whipping up hors d' oeuvres in the kitchen. The built-in server provides an additional surface to set down dishes and clears up the dining table to prevent any accidents.

Universal home design can and should be both stylish and seamless. Reexamine the products, materials, and finishes you already use, and consider how they might be implemented in a way that supports people of all abilities. With this project, the homeowner was conscious of her potential future needs and entrusted us with creating a healthy, natural, and minimalist space that would suit her well in the long-term.

Sarah Barnard, WELL AP, and LEED AP designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Designer Sarah Barnard on Why Empathy Is Central to Her Work

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Article by Gwendolyn Purdom, originally featured Houzz.

Growing up with historic preservationist parents, Sarah Barnard got her introduction to architecture and home design at a young age.

“I grew up in historic homes, and my father was restoring furniture and light fixtures and stair railings and you name it,” the Los Angeles interior designer says. “Certainly, as things progressed in life, I think his talents became mine.”

The experience also shaped the way Barnard now approaches her work as the principal designer at Sarah Barnard Design — a firm built on sustainable, wellness-focused and otherwise mindful practices. (Barnard is a WELL accredited professional, a Building Biology practitioner and a LEED accredited professional.)

“Reducing, reusing, recycling — these types of things were not novel concepts,” Barnard says. “Being sensible and responsible in our choices and in our material specifications is something that’s always been a part of my life and definitely influences the way that I work.”

Barnard, who has been using Houzz to share project photos and to connect with fellow professionals on Pro-to-Pro discussion boards almost since the platform launched, has been seeing more and more clients, parents particularly, looking at their homes through a more thoughtful, holistic lens. Beyond being environmentally conscious, Barnard’s home design projects revolve around creating spaces that are personalized to support mental and physical health and happiness.

“If we all could be so lucky to exist in a space that is uniquely ours,” Barnard says. “There really is no happier environment than a space that is specially made for you.”

PHOTO BY: CHAS METIVIER

PHOTO BY: CHAS METIVIER

Q. You specialize in wellness design, sustainable design, and other mindful design practices. Why did you choose to make those specialties central to your work?

A. Empathy is really the foundation of our studio’s practice. Being able to meet our clients where they are and create environments that support them in living their best lives is really the heart of what we do.

My two primary credentials are LEED AP [accredited professional] and Well AP. LEED focuses more on environmental responsibility. WELL is focused more on human health. Those two things, along with historic preservation, really are the key focuses of my practice.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

That said, the personalization piece is really where it’s at in terms of being able to adapt to a broad range of situations. Sometimes that is a client who is seeking a vegan or perhaps a sustainable and vegan environment.

Other times it might be something that’s more of a specific family need, like a child with developmental differences or a person who has 13 cats. Any personalized need that could be better accommodated through home design is something that we’re keen to help with.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. How do you work around challenges those specialties may present?
A. There are always limitations, and one thing we learn as design students and we practice throughout life is that limitations really drive design. With a big, broad, open scope the outcome could be anything, but the more limitations the project has to endure, the more specific the outcome.

An example of that is that we have a client who utilizes a prosthetic leg, and of course, this is something that is integral to her day-to-day function but not something that she would like to draw attention to. In the process of designing her home, it was disclosed at some point that she didn’t want certain types of textiles that would make it difficult for her to get up or get down. Something that might be more slippery, for example.

So, something that we may not have been aware of at the start of the project — once we’re armed with the information of what specific textures are going to be safest for her, then we can proceed accordingly in recommending those well-matched solutions.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. Where do you find inspiration?
A. On a personal level, I’m definitely very much connected to the natural world. For me, that means spending time in my garden, doing a heck of a lot of birdwatching, really being tuned in to the small daily differences — like what the birds are doing, what the plants are doing, what the caterpillars are doing.

Being in touch with what’s going on in the natural world is a really important way for me to stay grounded in my professional life. Those textures, colors, patterns, things that I experience in the outdoors definitely drive the solutions that I create indoors.

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

PHOTO BY: STEVEN DEWALL ARTWORK: KEVIN MOORE

Q. What has been your most memorable client request? You worked with someone with 13 cats?
A. Yes. We made a special screened porch for the cats so that they could enter and exit the house safely without being eaten by a coyote or disturbing the neighborhood bird population. They were able to bask in the sun and live their happy lives safely and in a way that made the homeowner pleased.

I think perhaps the most fun request we’ve had in the last few years was that a young couple in the entertainment industry wanted an adult sleepover room. It was a very large space that would essentially have multi-functions for hosting parties, but the sofas would be modular and movable so that they could be reconfigured as king-sized beds. And if the party got late and movie-watching turned to sleep, 10 or more couples could camp in this room.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. Is there one particular project that changed your business in some way?

A. In my late 20s, I had the opportunity to design the West Coast offices for National Geographic Entertainment. And that certainly was an important project for us, because it was not only aesthetically in our dream wheelhouse, but it also was a client that more than ever before really was in alignment with our values and the things that we think are important. That definitely was a fantastic experience.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer to pros who want to make their practice more sustainable or mindful?

A. The most critical skill in mindful design is listening — creating a space in which the client feels comfortable to share, and then really listening and asking follow-up questions, many of them, prior to offering any solutions. Probably the most common rookie designer mistake I see is, designers, want to view a space and immediately make recommendations. And in doing that they would have missed the most critical element of the space, which is the user.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. What particular challenges is the interior design industry facing?
A. Interior designers have always had a singular challenge, which we will probably face for decades to come, and that is that many homeowners don’t actually understand what we do. Because of this sort of lack of education in the homeowner, they may misunderstand our services to be shopping. They may misunderstand our services to be a number of things that are not actually what interior design practice is fundamentally about. And because of this misinformation, I think designers may struggle to communicate their value to a person who perhaps hasn’t worked with a designer before or isn’t familiar with all the benefits a professional can bring to a project.

Because I have been in the game most of my adult life, I am fortunate to be approached regularly by clients who are knowledgeable, who do value what my team has to offer. I think in the rare occurrence where we’ve worked with a client who struggles to understand the process, we just remain patient and explain to whatever length necessary so that they can understand what is happening and why.

A great example of that would be, I had a client once and he said he didn’t need measuring; he just needed furniture. That’s an example of someone who just doesn’t understand the steps of the process. Being patient with him and explaining to him why measuring is critical to the process allowed him to remain in support of the work that we were doing and understand what we were delivering and why.

PHOTO BY: STEVEN DEWALL

PHOTO BY: STEVEN DEWALL

Q. What advice would you offer other pros on making their own design specialties stand out?
A. It’s like the advice that our moms all gave us as children, but it’s critical to be yourself — thinking about what’s really important to you and what are the things that you really, really are passionate about and being more a part of those things.

For example, for me, it’s nature and birds and that’s my truth. It’s easy for me to talk about nature and birds because that is my real life. It’s much more difficult to try to follow the trends of others and latch on to boho-chic or whatever is the latest thing. Because if the latest thing is not your thing, it’s never going to be authentic anyway.

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Sarah Barnard designs healthy, happy, personalized spaces that connect deeply to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Classic Blue, Pantone's Color of the Year creates calm and inspires clarity in interior spaces.

Interior Design: Sarah Barnard, Photos: Steven Dewall, Painting: Reid Winfrey

Interior Design: Sarah Barnard, Photos: Steven Dewall, Painting: Reid Winfrey

Blue brings us a sense of peace, offers us refuge, aids concentration, and brings us clarity. It is a reflective tone that fosters resilience and gives us hope, qualities we look toward during this uneasy time in the world. Pantone's Color of the Year is Classic Blue, chosen to reflect our desire for a stable future as we enter into a new decade. TIME calls the Color of the Year, "both constant and classic." It is reminiscent of a serene sea and the sky at dusk.

Pantone provides a universal language of color that is used by more than ten million designers and producers around the world to define colors accurately across different platforms and industries. Their Color Institute is dedicated to researching purchasing trends across various industries to determine each year's color. Pantone has been naming a Color of the Year since 2000 and has influenced product development and purchasing decisions in fashion, interior design, industrial design, graphic design, and advertising.

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Classic Blue is akin to the very first Color of the Year, Cerulean. The hue represented the excitement of a new millennium, while also offering a sense of protection and serenity amidst the feared approach of Y2K. This year, we are experiencing a similar feeling of trepidation from the United States to the United Kingdom, Hong Kong, Syria, and across the globe.

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The reigning Color of the Year offers reassurance, confidence, and connection for us in a time of uncertainty. "When we look at the world around us, we know that we're living with a lot of unrest, where some days don't feel quite as secure," said Leatrice Eiseman, Executive Director of the Pantone Color Institute, in an interview with Architectural Digest. "Blue from an emotional, psychological standpoint, has always represented a certain amount of calm and dependability. It's a color that you can rely on."

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Classic Blue is the color of deep ocean water or a handful of ripe blueberries. It is a part of the art market, the beauty industry, automotive manufacturing, tech, and space sciences. Its associations with dependability, trustworthiness, and constancy make it a great color to incorporate into your home design.

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My work as a LEED and WELL-accredited home designer is deeply rooted in wellness and biophilia. Biophilia is our innate desire to be close to nature, and biophilic design aims to create healthy and comfortable interiors by meaningfully incorporating natural elements into our home and work environments. Integrating Classic Blue into our spaces builds on the principle of biophilic design because of its presence in nature.

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Art, textiles, furniture, and accents are all great ways to introduce soothing Classic Blue to your home or office. A project I recently completed features oceanic shades of blue that act almost like neutrals. I took inspiration from the home's beachy surroundings, bringing in a Classic Blue velvet sofa. I then repeated the color through vintage ceramic vases, books, and toss pillows.

When acting as a base layer, Classic Blue can be paired with a multitude of colors, including other shades of blue. For the client's bedroom, I selected a handmade upholstered bed, Belgian linen bedding, wool drapery, and an abstract painting by Jonathan Elder, all wed by various blue tones. The buttery vintage leather chair and wooden bench at the foot of the bed complete the space, providing visual warmth and balance.

Consider adding serene, calming, earth-focused tones to your home in the new year. Whether you choose Classic Blue as an all-over hue or an accent, you can't go wrong with a color that takes its cues from nature.

Sarah Barnard, WELL AP, and LEED AP specializes in creating calming restorative environments that support physical, emotional, and mental well-being. Her interior design practice centers around her client's health and wellness while incorporating natural elements into every space she designs.

Compassionate Design

Originally featured by Keller Williams Luxury International, Los Angeles writer Roger Grody explores how the vegan lifestyle has contributed to a movement of compassionate design through interviews with leading designers in the field.

Sarah Barnard DesignPhoto by Chas Metivier

Sarah Barnard Design

Photo by Chas Metivier

A growing interior design specialty accommodates homeowners who are as strict about what they put in their homes as what they put on their plates.

The practice of veganism, eliminating all animal products from one’s diet, is usually driven by a commitment to good health, the protection of defenseless creatures or concern for the planet. Although vegan interior design may sound exotic, it is entirely reasonable that the values that inspire vegans’ diets would also be applied to their living environments.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

A vegan space is devoid of leathers, silks, wools or any materials whose production harms or exploits living creatures. “A happy, healthy vegan home contributes to the ease and enjoyment of life,” says Sarah Barnard, whose Los Angeles based design firm specializes in vegan interiors. “As a designer, I create spaces that help my clients express their values and passions,” explains Barnard, adding, “I also believe that the way we acquire the things we own matters.”

Sarah Barnard DesignPhoto by Abby Siniscal

Sarah Barnard Design

Photo by Abby Siniscal

“It’s not only about the animals, but also the workers and the environment,” insists interior designer Deborah DiMare, who maintains offices in Miami and New York. She converted her practice to vegan design about five years ago and believes hers is the only firm in the country exclusively dedicated to the specialty. “When I opened my eyes to the inhumane practices and treatment of workers and animals in the textiles and furnishings industries, I had no choice but to change the direction of my life and my business,” she says.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

“Ever since I started in fashion in Ireland, my approach to design has dealt with humane and environmental approaches to the procurement of textiles, furniture, dyes, et cetera,” says interior designer Clodagh. Her New York studio accommodates vegan design as well as feng shui, wabi-sabi and biophilia. Although leather is occasionally used in her commissions and she will design steakhouses, Clodagh has personally been a strict vegan for 21 years.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

Some homeowners considering this approach to design may assume they will need to make concessions on aesthetics and comfort. “In the past, cruelty-free furnishing options were limited, so vegan clients had to compromise on luxury,” says Barnard, who reports more highend synthetic substitutes have become available. DiMare insists some of those substitutes look and feel more luxurious than the genuine articles and she founded VeganDesign.org as an online resource for likeminded designers, manufacturers and homeowners.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

Rather than inhibiting optimal design and comfort, DiMare suggests, “If anything, it’s made me even more creative,” noting that designing for children with autism and heightened sensory issues enhanced her appreciation of vegan design. At the conclusion of a project, DiMare is delighted to report to clients, “No blood or tragedy is associated with anything in your home.”

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

“I encourage my clients to consider options that support their health and happiness as well as an equitable global ecosystem,” says Barnard, whose overall philosophy, like DiMare’s, transcends the protection of animals. “I believe in embracing the intersections of sustainability, kindness and community, working together for a greater good” says the L.A. designer.

Sarah Barnard DesignPhoto by Chas Metivier

Sarah Barnard Design

Photo by Chas Metivier

“We aim to be mindful of all living things and give back to this earth,” concurs Clodagh, who adds, “We have to leave it in a better state than when we found it.” Expounding on her “lifeenhancing design” — a minimalism not to be confused with self-denial — Clodagh explains, “It’s about having and loving everything you need, but nothing more than what you need.”

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

“As an interior designer, I create spaces that help my clients express their values and passions,” says Sarah Barnard, who explains vegans generally insist their physical environments be consistent with their values. “This is a natural progression for people who care about animals, their health and environmental responsibility,” says the conscientious designer.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

“Every object and piece of furniture or art in our home carries a lasting history with it,” insists Barnard. “Making a choice to bring in only things that have a conflict-free origin can make us feel good about not only having a beautiful interior, but having a positive impact on the world around us,” she says.

Sarah Barnard DesignPhoto by Abby Siniscal

Sarah Barnard Design

Photo by Abby Siniscal

“Requests for vegan interior design are growing rapidly, as people embrace their connection to the natural world,” reports L.A.’s Barnard, and DiMare observes a growing interest among affluent millennials. New York’s Clodagh strikes a more cautionary tone, commenting, “If I could only work for vegan clients, I would have been out of business before I started.”

Sarah Barnard DesignPhoto by Scott Van Dyke

Sarah Barnard Design

Photo by Scott Van Dyke

“My typical luxury client is a mom in Malibu who does yoga, eats super healthy and drives a Bentley,” reports DiMare. “She teaches her family ethics and social awareness, and wants to surround them in the healthiest possible environment,” maintains the designer, who authored the book Vegan Interiors last year.

Sarah Barnard DesignPhoto by Brad Nicol

Sarah Barnard Design

Photo by Brad Nicol

“Vegan interiors can benefit anyone concerned about the welfare of animals and health of their home and family,” states Barnard, insisting one need not be a vegan to enjoy a vegan environment. DiMare, sought out by non-vegans who admire her aesthetics, agrees that everyone can benefit from the non- toxic, hypoallergenic qualities of animal-free design.

Sarah Barnard DesignPhoto by Steven DeWall

Sarah Barnard Design

Photo by Steven DeWall

Observing how chef-driven vegan restaurants have become mainstream, Clodagh hopes such heightened awareness will fuel interest in vegan design. “As we say in Ireland, the way to somebody’s heart is through their stomach,” she quips.

Sarah Barnard DesignPhoto by Chas Metivier

Sarah Barnard Design

Photo by Chas Metivier

Special thanks to Keller Williams Luxury International and featured writer Roger Grody, who covers the best of Los Angeles’ design and culture. Sarah Barnard Design has had the pleasure of working with Roger on articles covering a broad range of wellness minded topics from Conscious Design to Ephemeral Realities.

Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.

Nordic LA presents: Scandinavian Influences & ARK Journal Launch

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Sarah Barnard Design had the pleasure of attending an Architecture and Design event hosted by Nordic LA for an exclusive reception and launch of the second volume of ARK Journal amongst other notable architects, designers, and artists from the Los Angeles area and beyond. The festivities spanned over two days and were held at the Schindler House in West Hollywood and the Ace Hotel in Downtown Los Angeles.

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Friday night began with a private tour led by Rudolph Schindler’s great-grandson, Guillaune Schindler. The house is well known as the birthplace of Southern California Modernism, due to its incorporation of architectural and social theory. Built between 1921 and 1922 using a standardized "slab-tilt" wall construction, the home was conceived as an experiment in communal living designed to host two couples, with four rooms for each individual, a shared kitchen, and garden patios. Most interestingly, the bedrooms were designed as "sleeping porches." These were outdoor, open rooms on the roof that allowed them to enjoy the temperate Southern California weather and the sweeping views of the neighborhood.

After the tour, guests gathered on the Western-facing outdoor space, best known as Rudolph and Pauline's porch, to hear the panelists' discussion. Lasse Anderson, the Director of the Utzon Center for Architecture in Denmark, moderated the speakers who included the West Coast Manager of Pucci International, Ed Schilling, and Cyrus Etemad, a real estate developer with a focus on the restoration of historic and commercial buildings. The conversation was focused on bringing traditional design and architecture into a contemporary context through renewal, rethinking, and relaunching classic brands and sites.

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Saturday evening, the Ace Hotel hosted the group for cocktails and conversation. Located in downtown Los Angeles, the Ace Hotel first opened in 1927 as the United Artists Building. Today it is a historic landmark, influenced by Spanish Gothic architecture, and is an "inspiring location at the heart of the ongoing Broadway renaissance, a meeting place for creatives, innovators, artists, and entrepreneurs."

ARK Journal explores spaces around us, the objects we put them in, and the people who make them. The Copenhagen-based journal bridges architecture, design, and art, allowing the launch party to fit in seamlessly with the weekend's course of events.

The publication included a beautiful feature of Merette's home in Møn, an island in Denmark, which she built with her partner Søren Aagaard. The sleek house made of clay blocks and chalk plastered walls plays with light and nature, and even includes windows built to frame a specific view of the farmland surrounding the home.

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Nordic LA's weekend events centered around Architecture and Design had great success in bringing together creatives from Scandinavian countries and Los Angeles. The event gave a new-found inspiration for global communication and the importance of creative collaborations.

Nordic LA provides opportunities for artists, musicians, and performance-focused creatives to connect with others both in Los Angeles and in the Nordic countries.


Sarah Barnard designs healthy, happy, personalized spaces that are deeply connected to nature and art. Empathy and mindfulness are the foundation of her practice creating healing, supportive environments that enhance life.